by James Wallace Harris, 12/4/21
I got the new Adele album on CD on the day it came out. It’s called 30, but evidently, her face is so famous she needs neither her name nor the album title on the cover. The songs are beautiful, different, and produced and engineered with tremendous sound quality. 30 is not 25, or 19. Adele is exploring new musical territory.
However, this isn’t a review of Adele’s new album. Nor is it a review of the four audio systems I used to play that album. It’s about a quest to hear everything possible in a sound recording. And I mean more than just frequency response. I struggle to pull everything I possibly can out of this album.
We think we listen with our ears. Audiophiles are on a never-ending quest to improve their playback systems. In this regard, I’m only a cheap-ass audiophile. The Holy Grail for audiophiles seems to be reproducing the sound the producers heard when making the record. Is that even possible? Didn’t the producers and sound engineers add magic we’d never hear live in the studio?
I’ve been watching Peter Jackson’s The Beatles: Get Back on Apple TV+. It’s a 3-part, 468 minute documentary about watching the Beatles create music. My takeaway is the Fab Four sound a lot different from what we hear on their albums. What I’m hearing when listening to 30 is probably a far cry from what it would be like to stand in the studio and listen to Adele sing.
I’m also listening to at least four works of art at once. We have Adele’s voice, we have the musicians, we have the producer’s creation of those two works, and we have the lyrics that we decode with our experience and emotions. And this album is full of emotion, especially about the breakdown of her marriage.
All your expectations of my love are impossible
Surely, you know that I'm not easy to hold
It's so sad how incapable of learning to grow I am
My heart speaks in puzzle and codes
I've been trying my whole life to solve
God only knows how I've cried
I can't take another defeat
A next time would be the ending of me
Now that I see
--- "Love is a Game"
I'm having a bad day, I'm having a very anxious day
I feel very paranoid, I feel very stressed
Um, I have a hangover, which never helps, but
I feel like today is the first day since I left him that I feel lonely
And I never feel lonely, I love being on my own
I always preferred being on my own than being with people
And I feel like maybe I've been, like, overcompensating
And being out and stuff like that to keep my mind off of him
And I feel like today, I'm home and I wanna be at home
I just wanna watch TV and curl up in a ball and
Be in my sweats and stuff like that, but I just feel really lonely
I feel a bit frightened that I might feel like this a lot
--- "My Little Love"
When I play 30 on my four different systems the songs sound slightly different, and each makes me feel different. 30 also makes me feel different depending on which room I’m listening in, and how loud I’m playing it. If I play “My Little Love” in the den, my largest listening room, on my Bluesound Powernode 2i with Klipsch RP-5000F speakers at a loud volume I feel surrounded by music and singing. It feels closest to what I imagine hearing Adele in a small club might sound like. It also has the greatest emotional impact. And this is just streaming the song via Spotify. I believe part of this experience is due to the acoustics of the room and partly due to the Klipsch speakers, which seem particularly good for vocals.
When I play the CD in my computer room, which is probably 12×20, using the Bose 301-V speakers connected to a Yamaha WXA-50 amplifier/DAC and Pioneer DV-563A CD player it sounds almost as good, but has a much less emotional impact. The soundstage is good, but I have to keep the speakers up high on top of Billy bookcases from Ikea. I hear more bass, probably because of the 8″ woofers, and the speakers being close to the wall. It’s a really good sound, and I hear different things in the recordings that I don’t notice in the den.
I also have another system in the computer room, an Arylic A50+ streaming amplifier with Sony SSCS-5 speakers. It has a brighter sound, still surprisingly pleasing for such a low-cost system and 30 makes me feel different listening to it. Finally, I have two paired Echo Studios in my bedroom. If I play them loud enough, I hear a slightly different sound, where I notice even other details, especially since I listen to these speakers as I fall to sleep and often wake up hearing music in a dreamy state.
In all four systems, I sometimes focus on the music, sometimes on Adele’s voice, and sometimes on Adele’s words. Sometimes I even think about how the song sounds compared to other music eras.
When I listen to music I concentrate on it with the same intensity I concentrate on a movie at the theater. If I’m in the right mood, I achieve a kind of reverie where I forget my body and that heightens my thoughts and senses. I can’t get any of my friends to listen to music with me. They all like listening to music when they are doing something, and think it’s weird I want to zone out. I remember when I was young, I’d listen with other people and we’d all space out like we were in an opium den. Of course, we were smoking dope back then. (I remember getting one older guy high who loved music and he claimed he heard things he never noticed before. But wasn’t it always there? Isn’t it just a matter of paying attention?)
I’m sure we all hear music differently. But I keep wanting to hear more as if my current equipment is leaving out sounds I should be hearing. Listening to audiophile reviewers makes me wonder how much I’m missing. I keep thinking my experience would be greater if I only bought more expensive equipment. But that might be me fooling myself.
I keep telling myself I will find more if I just listen with a greater focus on the equipment I already have. I keep telling myself I will hear more if I read and study how the music was put together. I keep telling myself I will hear more if I keep asking “What am I hearing?” I spend too much time watching reviewers of stereo equipment when I should be watching videos or reading books by people who study the music. That what I hear will be improved by upgrading my brain with training. That what I’m hearing is mostly determined in my brain.
(Yet, I yearn for a Cambridge EVO 150 and Klipsch Cornwall IV speakers.)