Category: Books

The Young Adult Novels That Shaped My Childhood

by James Wallace Harris, 7/22/25

I’ve been amazed by how fanatical young people have become over their favorite pop cultural icons. My wife and I watch Jeopardy every day, and the clues are often based on successful pop culture franchises. Comics and young adult novels dominate, especially at the movie theater. Billions of dollars are spent by their fans, and children and young people often identify with certain characters.

At first, I thought all of this was new. The Beatles had worldwide fame, but I can’t think of any fictional characters that were as popular in the 1960s as those that have emerged in the 21st century. Star Trek and Star Wars fandoms began to evolve in the 1970s, but it wasn’t until the advent of the World Wide Web that they achieved pop culture universality.

Many consider science fiction fandom the first. It began in the late 1920s and by 1939 had its first World Convention. However, we’re only talking hundreds. I considered myself a science fiction fan in junior high, but it wasn’t until the 10th grade that I met another fan in person. That was 1967.

Looking back, I realize it was YA novels that made me a fan, too. At seventy-three, I wonder if I would have had a different life if I had discovered the works of another author first.

I realize now that reading books was my way of coping with the stress of growing up. Just after JFK’s assassination in November 1963, my family began to fall apart. In 1963-1964, I attended three different 7th-grade schools, and two 8th-grade schools, in two states, and lived in four different houses. My parents became obvious alcoholics, their marriage began to unravel, and my dad had his first heart attack. Somehow, I remained a happy kid.

Just before I turned thirteen, when I began the 8th grade in September 1964, I discovered the young adult novels of Robert A. Heinlein. They didn’t use the term young adult back then, but called them books for juveniles. Juvenile delinquency was also a common phrase back then. Before that, they were called books for boys. There were also books for girls. Gender roles were specific back then. This was when newspapers divided job listings into “Men Wanted” and “Women Wanted.”

Discovering Robert A. Heinlein and science fiction gave me a positive outlook on life and my future. I especially identify with the Heinlein juveniles. I remember at the time believing Heinlein would have a literary reputation similar to Mark Twain by the time the 21st century rolled around. That hasn’t happened. Heinlein is often shunned by modern readers of science fiction. I accept much of the criticism regarding his adult novels published after 1960, but I still embrace his young adult novels and other work published before 1960.

Charles Scribner’s Sons, famous for publishing Hemingway, F. Scott Fitzgerald, and Thomas Wolfe, first published the twelve Heinlein juveniles between 1947 and 1958. The Heinlein juveniles were highly regarded by librarians and schools. I discovered them because my 8th-grade teacher put them on her approved reading list. She required our class to read three novels, three magazine articles, and three newspaper articles every six weeks. If we didn’t, she lowered our grade one letter. If we read five of each, she raised our letter grade by one letter. I always read the five of each because I’m terrible at diagramming sentences and understanding grammar. That upped my C to a B each report card.

For over sixty years now, I have been grateful to this teacher. Sadly, I can’t remember her name.

I keep hoping YouTube book reviewers will read Heinlein’s juveniles and reevaluate their judgment on Heinlein. Over the decades, I’ve read memoirs by scientists, writers, and astronauts about how they loved the Heinlein juveniles when they were young, and the impressions the books made on them.

I’ve been meaning to reread all the Heinlein juveniles again and judge them without the influence of nostalgia. Has sentiment clouded my perspective? I fear my love of these books is similar to how people embrace religion when young. Ideas often brainwash us in youth, and it’s almost impossible to deprogram ourselves. Our species suffers from delusions. No one is free of being fooled by beliefs. For every individual, it’s a matter of how delusional.

At seventy-three, I’m taking a hard look at what science fiction did to my mind and personality. I’m starting with the Heinlein juveniles because I believe they were at the Big Bang of my becoming self-aware.

Before I got into science fiction, I consumed the Oz books by L. Frank Baum. I read an article in my thirties about how some libraries pulled the Oz books off their shelves because the librarians worried they gave children unrealistic expectations about life. At the time, I thought that was silly. However, I realized I had grown up with many unrealistic beliefs about life. At the time, I believed the Heinlein juveniles had made me more realistic. Four decades later, I know that was wrong too.

When I took computer programming classes, they taught us the term GIGO – garbage in, garbage out. Have all the pop cultural fantasies we’ve consumed caused our delusional adult beliefs? Humans have always been susceptible to religious fantasies. Haven’t we just replaced those with pop cultural fantasies?

I love the Heinlein juveniles. Why? If I understood why, would I still love them?

JWH

STONE YARD DEVOTIONAL by Charlotte Wood

by James Wallace Harris, 4/12/25

Stone Yard Devotional is about how reality puts the peddle to the metal when life gets all too real. Stone Yard Devotional reads like a memoir, a diary, but it’s classified as a novel. The book was nominated for several awards.

The entire time I was listening to this book I wondered if Charlotte Wood was the unnamed narrator, however after reading “‘The shock was so deep’: Novelist Charlotte Wood on the experience that changed everything” in the Syndney Herald, I realized the novel was only inspired by her own life. Wood and her two sisters were being treated for breast cancer, while she was contemplating mortality and drafting this book.

I have no memory of how I discovered Stone Yard Devotional by Charlotte Wood. The cover and title intrigued me for sure. Maybe it was because it was shortlisted for the 2024 Booker Prize. The audiobook was part of my Spotify subscription, so I gave it a try, and I’m glad I did. It’s not the kind of book I normally read, but it’s wonderful to read if you’re getting old.

The story begins with the Covid pandemic. The narrator separates from her husband, ghosts her friends, and hides out in a guest house of a religious order, even though she is nonreligious. She wants to be alone. But after her initial stay, she returns to the order to live with the nuns. I was never sure if she joined the order or not. I have often thought the monastic life has certain appeals.

The story is about the narrator’s observations while living a contemplative life. These include the death of her mother, the remembrance of childhood, studying the nuns, working in the garden and kitchen, and the guilt of living with a woman she and her classmates horribly bullied as a child. The narrative is simple, like meditation.

The setting is Australia, which is exotic to me. As a kid I wanted to live in Australia. Over the course of the novel, there is a plague of mice that invade the convent. The mice are so numerous that they cover the roads in gray fur. At first, I thought Wood added this element to give her tale some excitement, but I researched and found that her part of Australia they did have a mice plague of Biblical proportions in 2021.

That made life in the convent extremely inconvenient. The mice ate electrical insulation, throwing daily living in the convent back to the 19th century. The illustration for the book’s review at The New York Times might have been another reason I read this book.

Much of what the unnamed narrator contemplates throughout the novel is what everyone thinks about as they get older. The fear of declining health and death, the regrets, the desires for wanting to have done things different, the desires to connect with others while also wanting to pull away, the changes we see in ourselves and others, the appeal of nature and living simple. Wood’s story explores all of that and more, triggering the reader to think about their lives.

Charlotte Wood was born in 1965, so she’s fourteen years younger than me. However, her battle with cancer has likely aged her perception on life. At 73, I’ve been thinking about the things in this novel for years. But I don’t know if everyone who collects social security meditates on these issues. Stone Yard Devotional is a great title for this novel. Even though the narrator said she was an atheist at the beginning of this story, getting old and dealing with people who die, pushes you to be spiritual even without a belief in God.

JWH

I’ve Been Craving the Kind of Great Science Fiction I Discovered When I Was Twelve and Thirteen

by James Wallace Harris, 3/17/25

When I get sick, or I’m bummed out over politics or economics, I get the urge to read a type of science fiction I discovered when I was twelve and thirteen (1964-1965). This isn’t nostalgia, but a proven method of stress reduction. We all have our own forms of escapism, mine is a kind of science fiction originally published in the 1950s. Old science fiction is my comfort reading.

When I was twelve, my main sources of science fiction were the twelve Heinlein juveniles and the Winston Science Fiction series of SF for juveniles. The term juvenile was the old way of saying Young Adult novel. At thirteen I discovered a treasure trove of old science fiction at the Homestead AFB Library. Those books were mainly published by Gnome, Fantasy Press, and Doubleday.

I loved stories about teens colonizing other worlds, which is what Heinlein did best. One of the first science fiction books I read was Red Planet by Robert A. Heinlein, about two boys living in rural Mars going off to college. When I was young I was convinced I wanted to go to Mars too, but after I got older, I realized Mars is no place for humans.

Reading science fiction at twelve made me feel important. I thought science fiction was preparing humanity for the future. At thirteen, I thought colonizing Mars was a way to back up our species. It was humanity’s manifest destiny to colonize the galaxy. When Elon Musk said he would colonize Mars I was all for it. But when the world’s richest man takes away the food and medicine from millions of the poorest, it only reminded me that Homo sapiens are a cancer that shouldn’t be allowed to spread across the universe.

Science fiction has always been about our hopes and fears of the future, but in the sixty years since 1965, I feel science fiction has lost touch with any possible realistic future that we would desire.

The urge to reread old science fiction from the 1950s comes from a deeper need to reconnect with my old hopes for the future. What’s strange, is when I do reread old science fiction, I often find pessimism where I once found hope.

For example, The Stars Are Ours by Andre Norton. When I was young, I focused on the teen hero traveling on a spaceship to colonize a planet in another solar system. I didn’t focus on the reason why they left Earth. On rereading, I see they fled because the U.S. had been taken over by a totalitarian society that was repressing science.

On rereading my beloved Heinlein juveniles, I see Heinlein often portrayed Earth as being overpopulated, over-regulated, or having some kind of society that inspired the characters to leave.

When I was twelve and thirteen, I went to three different seventh grade schools, and two different eighth grade schools. Those were the years when I realized my parents were alcoholics. Those were the years they began to fight. And those were the years when my dad had his first heart attack. Is it any wonder that I identified with characters who left a bad world hoping to find a better one?

I loved stories like Ray Bradbury’s “The Million-Year Picnic.” I always remember the ending, where the father shows the three boys the Martians, and I always forget that the father had taken his family to Mars because Earth had destroyed itself in a nuclear war. But rereading Bradbury’s classic short story reveals that its power is a love of family and an appreciation basic human goodness.

Was science fiction back then really about escaping 1950s reality? And today, do I crave reading 1950s to escape from 2025? Is science fiction just another fantasy portal to leave here and now?

Science fiction grew up in the 1960s and 1970s. Stand on Zanzibar by John Brunner and Camp Concentration by Thomas Disch, both from 1968, were explicitly about how reality sucked. Reading them made me feel grown up. By then, even though I was still in high school, I was nostalgic for 1950s science fiction. But it wasn’t the 1950s themselves that I craved. It was the escapist fantasies of that decade.

I need to think deeper about that.

Could I be in a time loop?

JWH

Pop Culture vs. Social Media

by James Wallace Harris, 1/1/25

I began pondering the differences between generations that grew up with pop culture versus generations that grew up with social media when playing Trivia Pursuit. I then noticed the same differences while watching Jeopardy. Pop culture is about what most people know, while social media is about knowing the details of subcultures.

I’m often surprised by how much young contestants on Jeopardy know about the 1960s and older pop culture, but old and young players are very selective in their knowledge of 21st-century trivia. For years, I thought people my age just couldn’t keep up with popular music after 1990 because of changing mental conditions. But now I wonder if it’s because popular music shattered into countless genres appealing to various subcultures. In other words, there became too many art forms to remember their trivia.

I was born in 1951 and my personality was shaped by the pop culture of the 1950s and 1960s. Pop culture was primarily television, AM radio, movies, books, newspapers, magazines, and comics. People watched the same three television networks, CBS, NBC, and ABC. They often saw the same hit films and listened to the same Top 40 songs. They usually read a single daily paper. Some people read books, usually, paperbacks bought off twirling racks which sold in the hundreds of thousands, if not millions. The most common magazines seen in people’s homes were National Geographic, Reader’s Digest, Saturday Evening Post, Life, and Time.

The by-product of that limited array of pop culture was people within a generation shared a common awareness of what each other liked. You might not watch Leave It to Beaver or Perry Mason, but you knew what those shows were about.

People growing up since the Internet, especially since the explosion of social media, didn’t have popular culture, they had social media that focused on subcultures. Social media might be all about sharing, but people’s shared interests have broken down into thousands of special interests. People on the internet crave contact with others who share their interests, but no one group, not even Swifties, makes up a popular culture.

There are songs on Spotify with billions of plays that are completely unknown to the average American. The Academy Awards now nominate ten pictures for the Best Picture category, but most Americans have seldom seen them before they were announced. Hundreds of scripted TV shows are produced yearly yet it’s quite easy for all your friends and family to have a different favorite. My wife and I struggle to find shows we’re willing to watch together.

Mass media has broken down into specialized media devoted to subcultures.

Pop culture was a product of mass media. It inspired group identity through common knowledge. I’m not sure it exists anymore.

Social media is a byproduct of individuals trying to find others sharing similar interests. It isolates people into smaller groups. It promotes individual interests that limit people’s ability to overlap with other people’s interests. It makes people specialize. You become obsessed with one subculture.

I wonder if the MAGA movement is unconsciously countering that trend. They think they want to return to the past, but what they want is to be part of a large group. Their delusion is believing that if everyone looked alike and thought alike, it would create a happier society. I’m not sure that’s the case. The 1950s were not Happy Days, and the 1960s wasn’t The Age of Aquarius.

I’m not sure that happiness comes from the size of the group you join. Some happiness does come from interacting with others and sharing a common interest. I also think people might be happier knowing less about subcultures, and more about pop culture. But that’s just a theory.

Could people withdraw some from the internet to become more physically social? I don’t think we can give up on the internet, but do we need to use it as much as we do?

I liked it when my friends watched the same TV shows or movies. I also loved that my friends knew about the same albums, and would play them together, or go to the same concerts. Pop culture was popular culture. Will we ever see that again? And is that a delusion on my part. Am I only remembering a more social time from youth that naturally disappears after we marry?

JWH

Meditating on a Meme

by James Wallace Harris, 11/28/24

Seeing the above photos as a meme on Facebook made me think about how much people, society, and pop culture changed in the 1960s.

If a picture is worth 1,000 words, then are two pictures only worth 2,000 words? I don’t think so, I think it’s 1,000 words times 1,000 words, or 1,000,000 words. I could easily write that many from all the ideas my mind has generated since I began meditating on those photos.

Here’s the original meme from Facebook:

I was eight on 1/1/60 and eighteen on 12/31/69. I have always thought the longest years of my life were from 1963 to 1969 because so much happened to me and the world I lived in during that time. For folks who didn’t grow up in the sixties, it was much more than what you can learn from watching Grease or American Graffiti and contrasting it with Hair or Woodstock.

When I first saw the meme above I instantly thought about how rock and roll music of the 1950s ended up becoming the rock music of Woodstock. I’ve tried several times just to write an essay about that, but after typing over 5,000 words, I realize I’ve barely hinted at what I could say. That’s too long for a blog post.

I recommend that you find two photos that bracket your adolescent years or the decade you identify with the most and meditate on them. Start with remembering every place you lived and what you did each year. Remember your family and friends, your pets, your homes, your schools and workplaces, the clothes you wore, all the activities you pursued, everything you wanted to buy. Then write the shortest essay that makes it all coherent. You will then feel the mental anguish I am feeling right now.

Then branch out in your meditations. The easy and fun things to contemplate are the changes in pop culture — how music, movies, books, TV shows, games, and technology evolved over ten years. But then move on to the political and social changes. That’s when things get heavy. Can you connect your firsthand experiences with all those external events? Have you ever compared the life you lived to what you saw on the TV news every night?

Every one of us has the life experience to write a Proust-size novel and has lived through enough social change to write a series of history books about the formative decade of our lives. If you don’t think so, meditate more on the two photos you have selected.

I turned seventy-three on Monday, and getting old has made me more susceptible to memes about the past. My memories are fading away so I desperately want to cling to them. Emotions gnaw at me to make sense of everything I’ve experienced. The urge is to put it all down in words, but I don’t have what it takes to do the job and do it precisely.

There is an undefinable mental barrier that keeps me from organizing my thoughts into coherent histories. And I’m not talking about writing something worthy of publication for others to read, but just producing a narrative that makes sense of things for myself about myself and what I’ve learned. The older I get, the more I want to understand.

This essay started out about when rock and roll music became rock music. After several drafts and much contemplation, I narrowed it down to the summer of 1965 when I first heard Bob Dylan’s “Like a Rolling Stone” on the radio. As I kept trying to document my theory, I realized I could write a whole book on it.

Then as I was researching the subject, I found that Andrew Grant Jackson had already published the book I wish I had written, 1965: The Most Revolutionary Year in Music. His book is what I wanted to write in this essay when I first saw the meme above.

The Kindle edition is currently $2.99, and it’s a perfect example of what I’m talking about when I suggest we should chronicle our lives. Even if you don’t buy the book, read the sample at Amazon. I feel the format of organizing the narrative around a month-by-month description of what was happening is a great template to use for writing about memories.

JWH