by James Wallace Harris, 3/17/25
When I get sick, or I’m bummed out over politics or economics, I get the urge to read a type of science fiction I discovered when I was twelve and thirteen (1964-1965). This isn’t nostalgia, but a proven method of stress reduction. We all have our own forms of escapism, mine is a kind of science fiction originally published in the 1950s. Old science fiction is my comfort reading.
When I was twelve, my main sources of science fiction were the twelve Heinlein juveniles and the Winston Science Fiction series of SF for juveniles. The term juvenile was the old way of saying Young Adult novel. At thirteen I discovered a treasure trove of old science fiction at the Homestead AFB Library. Those books were mainly published by Gnome, Fantasy Press, and Doubleday.
I loved stories about teens colonizing other worlds, which is what Heinlein did best. One of the first science fiction books I read was Red Planet by Robert A. Heinlein, about two boys living in rural Mars going off to college. When I was young I was convinced I wanted to go to Mars too, but after I got older, I realized Mars is no place for humans.
Reading science fiction at twelve made me feel important. I thought science fiction was preparing humanity for the future. At thirteen, I thought colonizing Mars was a way to back up our species. It was humanity’s manifest destiny to colonize the galaxy. When Elon Musk said he would colonize Mars I was all for it. But when the world’s richest man takes away the food and medicine from millions of the poorest, it only reminded me that Homo sapiens are a cancer that shouldn’t be allowed to spread across the universe.
Science fiction has always been about our hopes and fears of the future, but in the sixty years since 1965, I feel science fiction has lost touch with any possible realistic future that we would desire.
The urge to reread old science fiction from the 1950s comes from a deeper need to reconnect with my old hopes for the future. What’s strange, is when I do reread old science fiction, I often find pessimism where I once found hope.
For example, The Stars Are Ours by Andre Norton. When I was young, I focused on the teen hero traveling on a spaceship to colonize a planet in another solar system. I didn’t focus on the reason why they left Earth. On rereading, I see they fled because the U.S. had been taken over by a totalitarian society that was repressing science.
On rereading my beloved Heinlein juveniles, I see Heinlein often portrayed Earth as being overpopulated, over-regulated, or having some kind of society that inspired the characters to leave.
When I was twelve and thirteen, I went to three different seventh grade schools, and two different eighth grade schools. Those were the years when I realized my parents were alcoholics. Those were the years they began to fight. And those were the years when my dad had his first heart attack. Is it any wonder that I identified with characters who left a bad world hoping to find a better one?
I loved stories like Ray Bradbury’s “The Million-Year Picnic.” I always remember the ending, where the father shows the three boys the Martians, and I always forget that the father had taken his family to Mars because Earth had destroyed itself in a nuclear war. But rereading Bradbury’s classic short story reveals that its power is a love of family and an appreciation basic human goodness.
Was science fiction back then really about escaping 1950s reality? And today, do I crave reading 1950s to escape from 2025? Is science fiction just another fantasy portal to leave here and now?
Science fiction grew up in the 1960s and 1970s. Stand on Zanzibar by John Brunner and Camp Concentration by Thomas Disch, both from 1968, were explicitly about how reality sucked. Reading them made me feel grown up. By then, even though I was still in high school, I was nostalgic for 1950s science fiction. But it wasn’t the 1950s themselves that I craved. It was the escapist fantasies of that decade.
I need to think deeper about that.
Could I be in a time loop?
JWH


