Category: Philosophy

If I Was A Robot Would I Still Love to Read?

by James Wallace Harris, Wednesday, May 8, 2019

One of the trendy themes of science fiction is the idea of mind uploading. Many people believe it will one day be possible to record the contents of our brain and put our self into a computer, artificial reality, robot, clone, or artificial being. Supposedly, that solves the pesky problem of dying and gives humans a shot at immortality. The odds of this working is about the same as dying and going to heaven, but it’s still a fun science fictional concept to contemplate.

I can think of many pluses to being a robot, especially now that I’m 67 and my body is wearing out into wimpiness. It would be wonderful to not worry about eating. Eating used to be a pleasure, now it’s a fickle roulette wheel of not know if I’m going to win or lose with each meal. And not having to pee or shit would be a top-selling advantage point to being a silicon being. And what a blessed relief it would be to never be tormented by horniness again.

Life would be simple, just make sure I always had electricity to charge up and spare parts for the components that break down. No worries about coronaries, cancers, viruses, fungus, bacteria, or degenerative diseases. Or flatulence.

I’d also expect to have superlative sight, hearing, taste, touch, and smell, along with a host of new senses. And I assume those senior moments would be gone forever.

But would I still love to do the things I love to do now – read books, watch television, and listen to music? What would reading be like if I was a robot? If I sucked down a book as fast as I can copy a file on my computer, I doubt reading would be much fun. For reading to be enchanting, I’d have to contemplate the words slowly. How would a robot perceive fiction? Are we even sure how humans experience the process of taking words from a book and putting them into our head?

Let’s say it takes me one minute to read a page of fiction. Somehow my mind is building a story while my eyes track the words. A novel would take hours to unfold. A robot could read a digital book in less than a second. Even for a robot brain is that enough time to enjoy the story?

Will robots have a sense of time different from ours? Dennis E. Taylor wrote a trilogy about the Bobiverse where Bob’s mind is downloaded into a computer. Taylor deals with the problem of robots perceiving time in it. He had some interesting ideas, but not conclusive ones.

In the WWW Trilogy, Robert J. Sawyer theorizes that consciousness needs a single focus for sentience. No multitasking self-awareness. I think that makes sense. If this is true, robot minds should have a sense of now. They say hummingbirds move so fast that humans appear like statues to them. Would humans appear like the slowest of sloths to robots? Does slow perception of reality allow us to turn fiction into virtual reality in our heads?

Could robots watch movies and listen to music in real time? Or would images of reality shown at 24fps feel like a series of photos spaced out over eons of robot time? Would the beat of a Bonnie Raitt’s “Give It Up or Let it Go” create a sense of music in a robot’s circuitry or just a series of periodic thuds?

It’s my guess that who we are, our personality, our sentient sense of reality, our soul, comes from our entire body, and not just data in our head. Just remember all the recent articles about how bacteria in our gut affects our state of being. Just remember how positive you feel about life when you have a hangover and are about to throw up.

I’ll never get to be a reading robot. That’s a shame. Wouldn’t it be great to read a thousand books a day? Maybe I could have finally read everything.

JWH

Mindfulness Inside Fiction

by James Wallace Harris, Tuesday, December 11, 2018

Probably most people picture mindfulness as the act of sitting on a beach crosslegged meditating on existence. The word mindfulness connotates an aesthetic living alone in the desert or on a high mountain monastery in Tibet. But it also applies to you washing the dishes, taking a crap, and even being fully aware while you’re reading a book or watching television.

BE HERE NOW is an important lesson of eastern philosophy. Our minds wander all over our distractions. Mindfulness is the ability to live fully in the moment being aware of what each sense is telling us and how we process it. One of the first things you should observe is there are more than five senses. Mindfulness is the ability to keep our model of reality in sync with reality. We are not little beings peering out our heads through sensory windows at reality. Our senses recreate a model of reality inside our head which our observer assumes and acts upon as if it was the objective reality. Subjective thoughts distort the flow of data from the external reality. Mindfulness is the skill of observing all of this happen.

Many of us spend a good portion of our day inside fiction. How can we be mindful when we’re lost in reading a novel, watching a television show, or out at the movies? We substitute our cognitive model of reality with a fictional model that someone else has created. We fool ourselves into believing we are someone else, being somewhere else, doing something else. Fiction by its very nature is anti-mindfulness.

Fiction is sometimes how we communicate our models of reality. Other times, fiction is intentional replacements for our model of reality meant to entertain or provide us temporary vacations from reality. When we’re inside fiction, we’re at least two dimensions away from the external reality. The only way to be truly mindful is to constantly recall our immediate place in reality, but that spoils the magical illusion of fiction.

Is it possible to be a bookworm and be mindful at the same time? Is it possible to be mindful while inside fiction? Especially when it requires forgetting who and where we are to fully experience a work of fiction.

While I’m at the movies watching Colette, I must juggle the sensation of seeing an illusion of 19th-century Paris while sitting in a dark room in Memphis, Tennessee. I must accept Keira Knightley pretending to fool me that she is Colette, a woman who spoke another language in another time and is long dead. This is when fiction is a tool for communicating what reality might have been like for another person. Being fully mindful of the experience requires observing my memories of history and knowledge of movie making as it reacts with experiencing the film in a darkened theater.

To be mindful in such a situation requires grasping the gestalt of a complex experience. That’s why people usually pick a quiet empty room to work at mindfulness. It’s much easier to observe our mental state of the moment when not much is going on. Being mindful inside fiction requires our observer watching a symphony of mental activity and understanding how it all works together.

Generally, we consume fiction to forget our observer. When I was listening to The Children of Time by Adrian Tchaikovsky I was imaging being thousands of years in the future and many light years away. This new model of reality was generated by whispering words into my ear. I never completely forgot the input from my senses because I listened to the audiobook while eating breakfast or walking around the neighborhood.

I believe part of being mindful while inside fiction is to observe our psychological need for that particular kind of fiction at that moment and how I’m reacting to it. I want and get something much different watching The Marvelous Mrs. Maisel than when I watch Get Shorty. What I experience while reading Friday by Robert A. Heinlein is much different from what I experience reading Swords and Deviltry by Fritz Leiber. The lack of mindfulness inside fiction lets us consume fiction in the same way we can eat a bag of potato chips without noticing that each chip was different.

If I don’t explore why my mind is entertained by stories of a 1959 housewife becoming a standup comic in New York City and a low-life thug wanting to become a movie producer in modern-day Nevada, then I’m not totally being here now.

The purpose of mindfulness is to be fully aware of who you are in the moment. So, it’s almost oxymoron to ask if we can practice mindfulness inside fiction because most people use fiction to escape who they are in the moment. But then, most people aren’t fully in the moment when they are getting dressed or even sitting in a lotus pose in front of a sunset. In the west, mindfulness is taught as a cure for the stress of living. We are told if we meditate five or ten minutes during the day it will help us handle the stress of the rest of the day. Of course, meditation is not mindfulness, but all too often they are confused as one.

One reason I’m bringing up the topic of mindfulness inside fiction is that I believe some types of fiction are polluting our minds. I have to wonder if all the violence in fiction isn’t programming our minds in subtle ways. Is there not a correlation between the mass consumption of violent fiction and the violence we’re seeing in everyday life? The other day I saw a short documentary on the history of the video game. In the 1950s video games were just blips on the screen. Today they almost look like movies. It startled me to see sequences from first-person shooters because I realized those video games were creating the same kind of scenes that mass shooters must see as they walk around blowing real people away.

I have to wonder if the rise of overblown emotional rhetoric we encounter in real life is not inspired by dramatic lines from characters in fiction. Everyday people can’t seem to express their feelings without putting them into harshest of words. Too many people can’t object to a philosophy without claiming they will kill the philosopher.

I  believe its time we extend moments of mindfulness beyond quiet empty rooms or restful respites in nature. We need to observe what fiction is doing to our minds, especially at the subconscious level. We need to be mindful why we seek fiction. We need to understand the purpose of fiction in our lives. We need to know why we turn our own lives off in favor of fictional lives. We need to know what our minds bring back from our fictional vacations.

When I first took computer courses back in 1971, I was taught an interesting acronym, GIGO. It stands for Garbage In, Garbage Out. It meant if you put lousy code and data into a computer you’d get crap for output. I believe it also applies to fiction.

JWH

Photoshopping Our Reading

by James Wallace Harris, Wednesday, September 3, 2018.

Recently I read “Problematic Classics: Four Questions to Ask When Beloved Books Haven’t Aged Well” by Matt Mikalatos over at Tor.com. Mikalatos asks what to do when reading a book that expresses hateful views by the author or characters. Basically, he asks: Should I ever recommend such a work? Can I read it privately? Should I read something like it without the hate? or Should I write something like it without the hate? He goes on to mention problems with T. H. White, J. R. R. Tolkien, C. S. Lewis, Roald Dahl, and H. P. Lovecraft.

censorship

I too have that problem. I can no longer read Mark Twain, William Faulkner, Eudora Welty, and other classic southern writers because of the n-word. But that also stops me from listening to Kanye West, Nicki Minaj, and Ester Dean. And I’m not sure I should be censoring those artists. But my liberal upbringing makes me cringe at any utterance of the n-word despite the context.

Mikaloatos wonders if it’s kosher to read old works with hate in them if he can’t recommend them to others. Should a few offensive passages spoil what is otherwise a masterpiece of creativity? There are some nasty parts in The Bible, should we reject it too? Is there anything in this world without flaws?

But this begs the question: Should we read only what’s pleasant and nice? The past is full of nasty hateful people. Then again, so is the present. When I read a book from the 19th century I want it to teach me about what people were like in the past. I don’t want a cleaned up version. It’s enlightening if we understand the past in all its dimensions.

It bothered me when I learned that The Hardy Boys books have been rewritten several times to clean up and modernize the originals. Maybe with some books, we should just forget them, because we don’t want to pass on problems of the past to young readers. But do we want to completely protect the young from the things we don’t want them to become?

It’s troubling to me that Mikalatos’ suggests that we substitute clean modern works that emulate older problem works. This seems Orwellian to me, like how the communists used to retouch photographs to remove dissidents from history. I think there is something dangerous about white-washing history. But that assumes literature is part of history and not a yummy snack that can be reformulated with a healthier recipe. I’d rather read Pride and Prejudice than a modern historical novel that uses the same setting. And is it fair to Tolkien and C. S. Lewis to reject them for an imitator, or to imitate them? That reminds me of Remake by Connie Willis, where one of her characters has the job of removing smoking and drinking from classic movies like Casablanca.

My wife and I watched a Doris Day/Rock Hudson film the other night, Lover Come Back, and we said to each other that this once very squeaky clean film would now be seen as horribly sexist. There would be no way to just photoshop over a few problems, it would have to be tossed out completely if everything from the past had to be politically correct.

There’s a trend by the latest generation to reject the past if it makes them uncomfortable. Life is complicated, hard, vicious, confusing, overwhelming, and it’s both insanely good and evil. I can understand readers wanting books with nicer realities to escape into, but how often should we be escaping reality? Is the only purpose of books to entertain?

First, are we judging the author for their views or their characters views? H. P. Lovecraft was racist and anti-semitic. Mikalatos asks if we can throw away the Lovecraft stories that reveal his hate and keep the ones that don’t, or do we throw away all of his work because they come from a hateful person? I never liked Lovecraft’s stories, but he was very influential on many writers and several of them worked on a shared mythos that’s quite creative. Lovecraft’s work is essential to understanding the history of the horror genre. If I met young readers who loved horror novels I would tell them about Lovecraft, but I’d also warn them of his personal failings.

A lot of people make fun of trigger warnings, but I see nothing wrong with them. I believe stories from the past should come with scholarly introductions that put the story and the author into a historical and literary context without spoilers. And in some cases, I think some stories would require an afterward with further explanations that do have spoilers.

Older folks often make fun of younger folks for not knowing history. If history was the only subjects kids studied in their K-12 years, they’d still be ignorant of most of it. But I do believe younger people today want to reject history more than we did when we were young. They want to photoshop history to make it nicer. They believe if they can ignore the nastiness of reality their world will feel better. And that is true. I don’t watch the local news and I’m much happier living where I do because of it. However, I think if we’re going to wear rose-colored glasses, we can’t tint out all the ugliness.

Sure, we all have to find ways to cope, and if avoiding certain novels, movies, and television shows help, then so be it. I once heard a joke about a man who pistoled-whipped himself every morning so he wouldn’t be afraid of getting mugged. A certain amount of pain can toughen us up, but only so much.

The real lesson to learn is to read about hate without becoming hateful. I was reading Thomas Merton recently and was moved by his faith in goodness. Merton had been a Trappist monk before he died, believed goodness came from God. I don’t. But then I’m an atheist. I do believe in goodness. I believe we can all be better people. That requires knowing what is good, and what is bad. You can’t be good by ignoring the bad because becoming good means overcoming the bad. Our evolution as a species involves constantly mutating into who we want to be by jettisoning what we don’t. Just hiding from evil only means sticking our heads in cotton candy.

Yesterday I went to see BlacKkKlansman. I didn’t want to go because I knew it would be full of nastiness. But I’m glad I went. It was a work of art that everyone should see, but I can also understand some people not being able to handle it. When I left the theater I had a Christian revelation (even though I’m not a Christian). Forgiveness is learning to comprehend what we want to destroy. Or run away from, or ignore. Maybe that’s where I’m going when I say we shouldn’t photoshop our literary history. Or the start. But forgiveness is hard.

JWH

 

 

 

 

 

Creative Blogging

by James Wallace Harris, Sunday, January 7, 2018

Events in my life are leading to a perfect storm for writing about blogging. I’ve been discussing blogging with my friend Laurie who is a professor of reading. She plans to include blogging in a course she’ll teach this spring. Laurie introduced me to the idea of multi-genre research papers, which is an alternative to the five-paragraph essay used in high schools. She was asking me about blogging because she wanted her students to use a blog for their progress reports. When I heard the concept of multi-genre writing I immediately thought of blogging because blogging is at heart multi-genre, or at least in the way these academics are defining the term. Blogging is both multi-media and multi-genre. I’ve been trying to convince Laurie that her students’ multi-genre research papers should be blogged.

Michel_de_Montaigne

Concurrent with this I’m reading for my nonfiction book club How to Live: Or A Life of Montaigne in One Question and Twenty Attempts at an Answer by Sarah Bakewell. Michel de Montaigne is legendary for developing the personal essay, and he has inspired countless readers and writers for centuries. Montaigne should be considered the Patron Saint of Bloggers. Montaigne retired early and became a contemplative, developing a personal philosophy by writing about his experiences. [Here’s an excellent essay, “Translating Montaigne” to help you find a copy of his work to read.]

And I just got The Sense of Style: The Thinking Person’s Guide to Writing in the 21st Century by Steven Pinker. Pinker is a cognitive scientist and approaches writing and grammar through studying how the brain works at communication. Pinker realizes that we all read and write differently since we’ve all moved online. I’m anxious to dive into this book because I want to scientifically and systematically improve my blog writing.

Then there’s the book I read last year, The Art of Memoir by Mary Karr. She combines teaching writing with understanding memory. Writing the personal essay is all about recalling details when our brains are very poor at remembering. We constantly trick, lie, and delude ourselves, and learning why is both psychologically rewarding and artistically challenging. Contemplating the limits of memory is a fantastic tool for understanding how to write.

I’ve written two essays recently about blogging, “Blogging in the Classroom” and “Using Blogging to Accelerate Learning.” What I’m advocating is we start requiring children to blog their school work to teach them about reading, writing, memory, thinking, and history. Essentially what I’m asking is everyone become a Michel de Montaigne to write their personal history. I also expect them to be historians, teachers, preachers, scientists, philosophers, naturalists, and so on, to write about the world at large too. For example, here is Peter Webscott’s “Reading the world – visiting Montaigne’s Tower.” It is an example of a multi-genre essay about visiting Montaigne’s house. This kind of writing is how we should explore our personal experiences and thoughts, and blogging is how we can save those insights for a lifetime.

Creative blogging should be our tool to write our autobiography, one that is preserved, even after we die. Creative blogging is how we should communicate our deepest thoughts to our family and friends. Only the closest people to you will ever take the time to read your blog. Learning who they are is revealing. Blogging has the beautiful side-effect of showing which of our interests bores other people. That will probably scare you. Learning to know what you care about most and how much your friends and family care about what’s important to you is quite enlightening. It teaches how you are unique. It also teaches you how you overlap with other people, and that’s the key to friendships.

I also wrote this a couple years ago, “77 Things I Learned From Writing 1,000 Blog Essays.” Strangely, painful truths are wonderfully educational. I could probably come up with 177 things I’ve learned from blogging today. It keeps growing.

JWH

Should I Abandon My Bible Study?

by James Wallace Harris, Monday, November 6, 2017

I’m an atheist, so I don’t study the Bible in the same way as people of faith. I have two goals for Bible study. First, I consider Christianity, or any religion for that matter, like a language. To talk to Christians requires understanding their language. The Bible is an integral part of western civilization, and to understand our history requires understanding the Bible. This is still akin to learning a language. The details of history are often idiomatically based on biblical references.

The Bible

The second reason why I study the Bible is to understand how information is transmitted over space and time. Think of my interest like the game of telephone kids play – also known as “Chinese whispers.” Jesus said many things two thousand years ago, and now we hear what he said repeated through thousands of distortions. Is there any way to backtrack and try to filter out two millennia of noise?

I’ve always felt both approaches to this kind of Bible study are practical and intellectually rewarding. However, I’m beginning to fear both goals are pointless. I’m starting to doubt I can ever communicate with a religious person, nor can we ever know what Jesus actually said. One proof of my doubt is all the faithful firmly believe they actually know what Jesus said even though they each have a unique interpretation. In my reading of the gospels, I would say it’s impossible to follow the teachings of Jesus and own a gun or pursue wealth, but millions of Christians would vehemently disagree. Where’s the truth?

This issue came up today when I saw How Jesus Became God by Bart D. Ehrman was on sale from Amazon in November for $1.99 for the Kindle version. I thought about buying and rereading that book. Ehrman is my favorite teacher for explaining how Christian memes evolved over time, and consider this book the best explanation how Christians believe Jesus, a man, is now God. My personal assumption from studying the Bible is Jesus never claimed to be God but was made God by his followers. Ehrman backs this up with historical analysis. I feel these six books by Bart D. Ehrman are the best explanation I’ve found that removes the distortion of playing telephone with Jesus’ original sayings 2000 years ago.

Ehrman’s approach is to study Jesus as history, not theology. Each book takes a different tack in solving a historical puzzle. I believe many of the problems we face in society today are caused by irrational beliefs about Jesus. However, I’m not sure Ehrman’s results can ever be used to logical dispel such beliefs when talking to a person of faith.

Fantasyland by Kurt Andersen has convinced me that irrational thinking is so entrenched in American society that logical discourse will never work. In fact, Andersen makes a good case that two-thirds of Americans embrace a “believing makes truth” philosophy.  They feel rational thinking is out to get them, that scientific knowledge is oppressive, and freedom is being allowed to believe what they want.

Thus, why I wonder if it’s even worthwhile to continue my Bible study.

Because there are billions of interpretations of who Jesus was and what he said it’s impossible to ever know what he actually said and meant. This allows believers to believe anything they want and still claim they are following his teachings. The only logical way I can think of disproving their belief logic is to analyze the words of Jesus by doing what the theologians of the Jesus Seminar did. This was a group of Bible scholars who voted on probable accuracy of every saying we have of Jesus (the ones printed in red in some Bibles). They color-coded the results to statistically reveal which sayings the historical Jesus might have said, with red being the most likely. This is a wisdom of crowds approach.

Thus, if you take just the red, and maybe the pink quotes from The Five Gospels, we might assume that’s what the historical Jesus taught. The trouble is, the results do not match what most people believe today. And since believers believe belief trumps everything, this logical approach will be no proof to them.

I’m wondering if I shouldn’t tune out all discussion of religion completely. Don’t try to understand or explain it. Just write religion off as complete irrational thinking. I was hoping the scientific and faithful could meet halfway, but after reading Fantasyland I’ve given up on that idea.

When I read science or technical books I feel I’m living in a rational reality. I have hope for the future. When I read books written by true believers I feel despair. Their irrational thoughts convince me society is crashing.

JWH