Why Did Kristin Diable’s “My River” Sound So Great On My Cheap Headphones at 5:55am This Morning?

by James Wallace Harris 1/29/26

I’ve come up with 5 reasons why I’m hearing more details in my music listening. And none of them is because I’ve bought better equipment. Some of those reasons might sound a bit woo-woo, but who knows.

I woke up early yesterday morning with the urge to hear music. I wasn’t ready to get up. The only headphones on my bedstand were a cheap pair of Bluetooth headphones I use for audiobooks. I put them on and loaded my standard Spotify playlist.

“My River” by Kristin Diable came on. It sounded amazing. For weeks, my den and bedroom stereos have sounded much better than ever. What’s going on? I’m talking a dramatic night-and-day difference on these headphones. Were my ears improving?

1 -Physiological?

Weeks ago, I stopped taking a drug I’d had been taking for years. When I asked my doctor about my chronic stuffy nose, she mentioned that sinus congestion was a side effect of that drug. Slowly, over recent weeks, I feel myself breathing more through my nose. Could this also have affected my hearing?

The only problem with this theory is that I don’t remember hearing music like this before I took the drug. Nor do I remember a decline in hearing after I started taking the drug.

2 – Time of Day?

As I lay there in the dark listening to music, all the instruments were clear and distinct. I heard little guitar riffs and drum fills I’d never noticed before. Could I have been dreaming? Diable’s voice was so multi-textured.

I do love listening to music on headphones while I sleep because sometimes I achieve a state of consciousness between sleep and awake, and I feel like I’m floating inside the music. But I was awake this morning.

I think I always hear music better late at night or early in the morning when I’m using headphones. Yesterday morning was special. It felt like a peak event. This morning, I played music again at the same time, and the music was equally vivid.

However, this doesn’t explain why music sounds better at other times during the day. Not quite as impressive as the headphones this morning, but I’ve been noticing a definite improvement in staging and fidelity.

3 – Focus?

The other day, I read an excerpt from Michael Pollan’s new book titled “How to Have a Don’t-Know Mind.” It was from the last chapter of A World Appears: A Journey Into Consciousness, due out next month. That chapter was about staying at a Zen Buddhist retreat, where he learned that shutting off his mind led to greater powers of awareness. He spent days in a “cave” with few distractions, forcing him to slow his racing thoughts.

Was listening to music in the dark before it was time to get up, a time when my mind was inactive, letting me hear more?

Audiophiles claim to hear greater details in music than average listeners. Is that just the ability to focus? I remember back in the 1960s, and how smoking pot made music sound great. I quit getting high over fifty years ago, but I remember that I decided then that pot didn’t enhance music, but altered time and concentration. I’ve always tried to pay close attention while listening. I don’t like using music as background noise.

4 – Sense of Time

I remember getting a friend high, one who was an avid music listener, and he exclaimed that he heard things in his favorite songs he never heard before. We theorized that it might be because pot distorted our sense of time. When time slows down, we hear more.

That altered sense of time could explain why music sounds better when I’m sleeping or just waking up. But it doesn’t explain why my daytime listening also improved. Not as much, but noticeable. Maybe during the day, I’m relaxing more, focusing on the music more, slowing time down.

Maybe I should train my mind to meditate on music and shut out everything else.

5 – Technology

I was awake when Kristin Diable’s voice sounded so rich and alluring. I wasn’t in a dream state, where music sounds unbelievable. Audiophiles talk about headphones and speakers needing a burn-in period. I’ve listened to hundreds of hours of audiobooks with the Earfun headphones, but only a few hours of music. Could they have reached a burn-in stage for music?

And I haven’t listened to these headphones since Spotify switched to CD-quality streaming. That could be another factor.

But then why were the Klipsch and Polk speakers also sounding much better, too?

Conclusion

Later in the day, the music still sounded good on those headphones, but not as impressive as when I was in bed before sunrise. I tried those headphones again this morning at the same time, and wow, oh, wow.

The first song I heard was “Merry Christmas Mr. Lawrence” by Ryuichi Sakamoto. It’s a piano piece, and I thought I could discern the separate notes in chords. Every instrument sounded so distinct. I could place each spatially, and I was aware of the duration of notes. It had to be an altered sense of time.

Then I listened to “Me & Magdalena” by The Monkees. Before now, I thought only Mike sang it, but this time I could hear both Mike and Micky.

And I’m sure some people have always been able to hear such details. Even though I’ve been crazy about music since 1962, and have spent many tens of thousands of hours listening to it, I’m probably still learn how to listen. Still learning to distinguish the components that make up a gestalt.

Before I publish this, I’ve thought of one more reason. I’m getting old and retreating from the world. Music has become a refuge. I get more pleasure from listening to music than doing anything else. I wonder if the Williamson effect is taking hold of me. I had a friend named Williamson who, before he died, lost interest in his many passions, one by one. The last time I talked to him, he said listening to Duane Allman and Benny Goodman were the only things he cared about. I’ve wondered if he got down to just one before he died. Or even none.

My list of favorite things is dwindling. It’s still in the dozens, though, so I have a ways to go.

JWH

DAC Compare: Fiio K13 R2R vs. Geshelli J2 vs. AudioLab 6000A

by James Wallace Harris, 12/20/25

On the surface, this essay might appear to be about audio equipment, but it’s really about wants and desires, perception and marketing, the limits of our senses.

A DAC is a Digital-to-Analog converter. Most people own several, even though they might be unfamiliar with the acronym. They are critical to audiophiles because they determine how well digital files are recreated as analog sound in your amplifier and speakers.

For most music listeners, the DAC is built into their computers, smartphones, amplifiers, or CD players. Some audiophiles will spend hundreds or thousands of dollars on an external DAC, hoping to hear details in their music that are not produced by integrated DACs.

I’m not really an audiophile. Maybe I’m a half-ass audiophile. I do want to hear music in all its richness, but I just don’t want to spend the kind of bucks that audiophiles are willing to part with.

Some audiophiles are purists and shun digital recordings. They want vinyl records that were produced with analog equipment and to play their LPs on analog amplifiers. This route requires no DAC. I’ve spent a modest amount of money pursuing the analog sound, and it’s always been elusive. Watching YouTube videos from analog purists makes me think I’d find sonic greatness if I’d only shell out a few thousand dollars more.

On the other hand, other audiophiles who embrace digital technology claim that if you spend enough money, you will hear more details from every note and instrument, from a larger three-dimensional soundstage, and experience greater sonic textures and thrills.

For over a decade, I’ve been chasing three mirages. The first is analog sound, the second is high-resolution music, and the third is better DACs. I gave up on vinyl because it was never apparent that analog sounded superior to digital, even after much testing. I gave up on high-resolution music because it only sounded slightly better than CD quality, and only if I concentrated mightily hard. However, I’m still a sucker for DAC hucksters.

Since Covid, I’ve been hearing reviews of R2R DACs, and I’ve been hankering to own one. Unfortunately, R2R DACs were more expensive than the more common Delta-sigma DACs. Then Fiio came out with the K11 R2R headphone amp/DAC for $159. I thought I’d buy one and see if there really was a difference. Before I could pull the trigger, Fiio came out with the K13 R2R headphone amp/DAC for $320 that claimed to be even better. So I bought one for my birthday.

A couple of years ago, I purchased the Geshelli Labs J2 DAC with upgraded Sparkos SS3602  op-amps and AK4499 DAC because the Cheap Audioman had convinced me it was the best Delta-sigma DAC for under a $1000. (It was just over $500 with the upgrades, so I thought, what a bargain.)

I already owned an AudioLab 6000A because of Darko Audio. It has an ES9018K2M DAC. It sounded great to me, but watching audio equipment reviews online leaves a never-ending desire to explore those greater musical dimensions they claim they can hear.

When I got the Geshelli Labs J2, I thought I heard more detail. After a year, I became tired of having to get up to turn on the J2 before turning on my AudioLab 6000A with a remote. I removed the J2 and used the DAC in the AudioLab 6000A. I wasn’t really sure I could hear a difference anymore. I never could decide if the external J2 sounded better than the internal DAC of the 6000A.

But I kept listening to reviews. Many of my favorite reviewers went through countless DACs, apparently searching for audiophile nirvana. Some claimed that DACs costing $5000 or $10,000 would get me there.

Reviewers consistently claimed R2R DACs had the smooth sound of analog music, projecting larger soundstages. I felt the soundstage for the AudioLab 6000A was as large as my den, but then what did I know? Maybe it wasn’t.

I wasn’t willing to risk my retirement savings on a $5,000 DAC. Some reviewers were honest enough to admit that those expensive DACs didn’t reveal their riches unless your amplifier and speakers also cost at least $5,000.

I decided I just had to hear an R2R DAC to see if I could actually hear a difference, so I bought the Fiio K13 R2R.

To be honest, I was disappointed with what I heard using it as a K13 R2R headphone amp. The music sounded far more exciting through my Sennheiser 560S headphones and Fiio K5 Pro headphone amplifier. The music presented by the K13 was very nice, but it was missing all those exciting details I heard from the ESS Sabre DAC of the K5 Pro.

I’m not unhappy with the K13. Its smooth sound, especially on female vocals, is quite pleasant. However, for headphone listening, I especially enjoy the details.

I then hooked up the K13 and J2 to the AudioLab 6000A’s analog inputs. I also compared the sound from the AudioLab 6000 CD transport using its internal DAC. The R2R DAC did sound smooth and pleasant. And I’ve been enjoying it for days. It’s just fine, but I don’t think I’m an R2R person after all.

Here’s the thing: there are differences between the three DACs, but do they really matter? My bedroom stereo, using a Bluesound Powernode 2i and Klipsch RP-5000F speakers, sounds the richest, most detailed, and dimensional of all my systems. However, I think that’s due to the room. My main stereo is in the den. It doesn’t have a back wall, because it opens into a dining area and kitchen. One wall is floor-to-ceiling glass, and the other two walls have wrap-around windows near the ceiling.

I’m sure the rooms make a bigger difference than the DACs. And I imagine the Polk Reference Series R-500 speakers sound different from the Klipsch.

For years, my only source of music was a clock radio. It had only one speaker. It was no larger than three inches in diameter. I loved that radio, and the music I first heard on it from 1962 to 1968 has stuck with me my whole life.

The most excitement I got from listening to music this year wasn’t from the equipment, but from consciously trying new music I hadn’t heard before that was created in the last ten years. Spotify estimated my age from the music I played to be 28.

I do know the DAC in my $89 Wiim Mini sounds bad. But it seems any DAC costing over $200, despite its technology, sounds pretty damn good. Maybe if I spent more than $2000, I would hear a difference, but would it be a night-and-day difference? I don’t know. Unless I win a mega lottery, I ain’t going to find out.

In my testing, playing a CD through the AudioLab 6000A sounded the best by far. But I’m not ready to go back to CDs.

I think watching audiophile reviewers on YouTube is making me dissatisfied with my equipment. I have to wonder if the differences they hear are really psychological or physiological?

I’ve found that what makes the biggest difference is volume. Listening at 85 decibels makes my stereo systems sound great. At 85 decibels, I hear more details with a larger soundstage by using any of my DACs.

After that, convenience matters. Audiophiles claim that separate components sound better than all-in-one units. Calling up albums on my phone via Spotify is just too damn convenient. Powering on with a remote is too damn convenient. I wish I could power up my integrated amplifiers with my iPhone and ditch the remote.

My advice. Spend a middling amount on an integrated system and play it loud.

JWH