Are Podcasts Wasting Our Time?

by James Wallace Harris, 11/16/25

While listening to the Radio Atlantic podcast, “What If AI Is a Bubble?,” a conversation between host Hanna Rosin and guest Charlie Warzel, I kept thinking I had heard this information before. I checked and found that I had read “Here’s How the AI Crash Happens” by Matteo Wong and Charlie Warzel, which Rosin had mentioned in her introduction.

Over the past year, I’ve been paying attention to how podcasts differ from long-form journalism. I’ve become disappointed with talking heads. I know podcasts are popular now, and I can understand their appeal. But I no longer have the patience for long chats, especially ones that spend too much time not covering the topic. All too often, podcasts take up excessive time for the amount of real information they cover.

What I’ve noticed is that the information density between podcasts and long-form journalism is very different. Here’s a quote, five paragraphs from the podcast:

WarzelThere’s a recent McKinsey report that’s been sort of passed around in these spheres where people are talking about this that said 80 percent of the companies they surveyed that were using AI discovered that the technology had no real—they said “significant”—impact on their bottom line, right?

So there’s this notion that these tools are not yet, at least as they exist now, as transformative as people are saying—and especially as transformative for productivity and efficiency and the stuff that leads to higher revenues. But there’s also these other reasons.

The AI boom, in a lot of ways, is a data-center boom. For this technology to grow, for it to get more powerful, for it to serve people better, it needs to have these data centers, which help the large language models process faster, which help them train better. And these data centers are these big warehouses that have to be built, right? There’s tons of square footage. They take a lot of electricity to run.

But one of the problems is with this is it’s incredibly money-intensive to build these, right? They’re spending tons of money to build out these data centers. So there’s this notion that there’s never enough, right? We’re going to need to keep building data centers. We’re going to need to increase the amount of power, right? And so what you have, basically, is this really interesting infrastructure problem, on top of what we’re thinking of as a technological problem.

And that’s a bit of the reason why people are concerned about the bubble, because it’s not just like we need a bunch of smart people in a room to push the boundaries of this technology, or we need to put a lot of money into software development. This is almost like reverse terraforming the Earth. We need to blanket the Earth in these data centers in order to make this go.

Contrast that with the opening five paragraphs of the article:

The AI boom is visible from orbit. Satellite photos of New Carlisle, Indiana, show greenish splotches of farmland transformed into unmistakable industrial parks in less than a year’s time. There are seven rectangular data centers there, with 23 more on the way.

Inside each of these buildings, endless rows of fridge-size containers of computer chips wheeze and grunt as they perform mathematical operations at an unfathomable scale. The buildings belong to Amazon and are being used by Anthropic, a leading AI firm, to train and run its models. According to one estimate, this data-center campus, far from complete, already demands more than 500 megawatts of electricity to power these calculations—as much as hundreds of thousands of American homes. When all the data centers in New Carlisle are built, they will demand more power than two Atlantas.

The amount of energy and money being poured into AI is breathtaking. Global spending on the technology is projected to hit $375 billion by the end of the year and half a trillion dollars in 2026. Three-quarters of gains in the S&P 500 since the launch of ChatGPT came from AI-related stocks; the value of every publicly traded company has, in a sense, been buoyed by an AI-driven bull market. To cement the point, Nvidia, a maker of the advanced computer chips underlying the AI boom, yesterday became the first company in history to be worth $5 trillion.

Here’s another way of thinking about the transformation under way: Multiplying Ford’s current market cap 94 times over wouldn’t quite get you to Nvidia’s. Yet 20 years ago, Ford was worth nearly triple what Nvidia was. Much like how Saudi Arabia is a petrostate, the U.S. is a burgeoning AI state—and, in particular, an Nvidia-state. The number keeps going up, which has a buoying effect on markets that is, in the short term, good. But every good earnings report further entrenches Nvidia as a precariously placed, load-bearing piece of the global economy.

America appears to be, at the moment, in a sort of benevolent hostage situation. AI-related spending now contributes more to the nation’s GDP growth than all consumer spending combined, and by another calculation, those AI expenditures accounted for 92 percent of GDP growth during the first half of 2025. Since the launch of ChatGPT, in late 2022, the tech industry has gone from making up 22 percent of the value in the S&P 500 to roughly one-third. Just yesterday, Meta, Microsoft, and Alphabet all reported substantial quarterly-revenue growth, and Reuters reported that OpenAI is planning to go public perhaps as soon as next year at a value of up to $1 trillion—which would be one of the largest IPOs in history. (An OpenAI spokesperson told Reuters, “An IPO is not our focus, so we could not possibly have set a date”; OpenAI and The Atlantic have a corporate partnership.)

Admittedly, the paragraphs in the article are somewhat longer, but judge them on the amount of facts each presents.

Some people might say podcasts are more convenient. But I listened to the article. I’ve been subscribing to Apple News+ for a while now. I really didn’t use it daily until I discovered the audio feature. And it didn’t become significant until I began hearing major articles from The New Yorker, The Atlantic, and New York Magazine.

Whenever I listened to a podcast, including podcasts from those magazines, I was generally disappointed with their impact. Conversational speech just can’t compete with the rich informational density of a well-written essay. And once I got used to long-form journalism, the information I got from the internet and television seemed so damn insubstantial.

These magazines have spoiled me. I’m even disappointed with their short-form content. Over my lifetime, I’ve watched magazines fill their pages with shorter and shorter content. Interesting tidbits came to magazines long before the internet appealed to our ever-shortening attention spans.

As an experiment, I ask you to start paying attention to the length of the content you consume. Analyze the information density of what you read, either with your eyes or ears. Pay attention to the words that have the greatest impact. Notice what percentage of a piece is opinion and what percentage is reported facts. How are the facts presented? Is a source given? And when you look back, either from a day or a week, how much do you remember?

What do you think when you read or hear:

According to one estimate, this data-center campus, far from complete, already demands more than 500 megawatts of electricity to power these calculations—as much as hundreds of thousands of American homes. When all the data centers in New Carlisle are built, they will demand more power than two Atlantas.

Don’t you want to know more? Where did those facts come from? Are they accurate? Another measure of content is whether it makes you want to know more. The article above drove my curiosity to insane levels. That’s when I found this YouTube video. Seeing is believing. But judging videos is another issue, but that’s for another time.

JWH

Free Science Fiction

It’s a great time to be poor, tight or miserly because there’s lots of free science fiction offerings on the Internet.  Heinlein was wrong about that free lunch deal.  Just subscribing to two web sites, SF Site and SFF Audio via RSS feeds will keep you informed of more good free SF&F reading and listening than you can handle, even if you’re out-of-work or out-of-school.  All you’ve got to do is read the regular posts and these sites will spot the goodies for you. 

Hell, a couple months ago Tor let people sign up to get 12 free ebooks novels from them, in PDF, HTML and unprotected Mobi formats, which is good for the new Amazon Kindle.  I socked them away for a rainy day when I want to try out some new authors, but I especially appreciated getting a copy of Old Man’s War by John Scalzi because I already bought and listened to it on audio.  Audio books are the best way to fully experience a book, in my humble opinion, but audio books are not so good for reference and study.  eBooks are great for snagging a quote.  I wished all paper editions came with ebook editions for reviewing purposes – but I digress from my main topic.

I don’t know why there is so much free reading and listening on the Internet.  I do know there’s a theory that a certain amount of free promotion helps with sales, but currently there’s enough free promotion to exist completely without buying.

Some writers like Cory Doctorow even offer their latest novels for free, such as his new book Little Brother.  Read the intro in the HTML edition to see just how far his generosity extends.  I’m waiting for the audio edition to show up on Audible.com to buy.  I’ve read Cory’s stories in anthologies I’ve bought, but his name has stuck with me because of his free work on the Internet.  Finding his brilliant “Anda’s Game” made me remember his name as a standout writer.  The same thing happened with Charlie Stross, because of free stories on the net, or stories in anthologies, I’ve gone on to buy his books.

A good way to dip your toe in the free story waters is to read BestScienceFictionStories.com where Rusty reviews standout SF short stories, many of which are on the net to read for free and Rusty provides the links.  He even offers a guide to finding free stories, “Nine Secrets For Finding Your Favorite Science Fiction Short Stories Online,” as well as “The 10 Best Web Sites for Free Online Science Fiction Short Stories.”  When I was a kid I had to haunt musty used bookshops all over Miami to find classic SF stories to read.  Now story hunting is as easy as a mouse-click away.

And these stories aren’t submissions from would-be writers, or trunk stories from published writers, but award winning stories, stories that have appeared in best-of-the-year anthologies, and stories that have appeared on lists like The Top 100 Sci-Fi Short Stories.

For the last decade I’ve been doing far more listening to fiction than reading.  At first audio science fiction was rare, but in the last year there has been a boom in SF&F for your ears, including free productions.  At first free audio featured amateur readers no better than the best student you’d hear when we had to take turns reading aloud in class.  The best professional readers today act out audio books in performances I often find better than those I see in Oscar winning movies.  Free audio productions have a long way to go to compete with professional productions, but surprisingly, they are evolving fast!

The granddaddy of SF audio is probably Escape Pod, currently broadcasting it’s 159th episode.  You no longer have to mess with podcast software to listen to the shows, so go sample its stories with the on-page sound controls.  The production quality is now equal or better to many of the commercial stories I buy at Audible.com.  Escape Pod offers a lot of quality for free.  Again, these aren’t just third-tier stories, but stories that have appeared in professional story magazines like F&SF, Asimov’s, Interzone, Realms of Fantasy, Strange Horizons, Jim Baen’s Universe, and other magazines that SF writers love to sell to.

Also, the above linked magazine sites often offer free stories to read from their for-sale magazines, especially during award times when they want to promote their nominated authors.  Just following the links on this page will keep you up-to-date with what’s going in with the genre of science fiction.  You’ll learn who the famous authors are as well as the new and upcoming writers.

Free audio book novels are showing up but most of them are read by amateur readers, something not to my taste, but if you like free and are patient and forgiving, you might find a lot in these offerings.  I expect this category to grow in the future as amateur actors discover audio books are a way to audition their talents and get their names known.  Digital recording equipment is relatively cheap, but producing a ten-twenty hour novel is quite a commitment, but they are appearing.  Keep an eye on SFF Audio.

And if you want to know about classic science fiction, visit Feedbooks, where you can get ebook novels for free.  Their Science Fiction page offer books from Mary Shelley’s Frankenstein to George Orwell’s 1984 to Cory Doctorow’s Little Brother, the new book mentioned above.  And all the books are nicely formatted for a wide range of electronic reading devices.  Teachers and professors could offer a class on science fiction and their students could get all their textbooks for free on this site.

I don’t understand how all this generosity works.  It’s a hippie dream – a commie’s philosophy come true.  Feedbooks doesn’t even have ads on their page.  It’s a mystery, like WordPress, how do they make their money?  There are even radio magazine shows like StarShipSofa.com, that appear to be the work of energetic individuals unmotivated by capitalism.  It’s like the old days of fanzines, creating a new generation of online fandom, fashioning an audio genzine.

Like I said, it doesn’t take much to join this community, just add the RSS feeds from SF Signal and SFF Audio.  Having online access allows web surfers to join a never ending science fiction convention, again for free, without having to buy a membership or pay for hotels, cabs and airline tickets.  If you follow SFF Audio, links to panels and con speeches often show up too.  And again, it’s all for free.

This makes me wonder about the financial health of the little audio book publishers and small press publishers.  Is all this free competition hurting them?  SF Signal and SFF Audio also link to these commercial sites, so if you want to see them succeed, patronize their online stores too.  The commercial SF&F magazines have been losing paid readership for years – is the Internet partially at fault – either through free offerings, or just a diversion from old fashion pastimes?  It’s all too hard to know, but we do know there were a lot more short story magazines on sale at newsstands before the advent of television, again a system that offered content for free, usually paid for by ads.

The science fiction short story may go the way of poetry – moving out of the realm of commercial sales to exist and be supported by love of the art form and its fans.  I hate to see that, but I sure do love the fact that the art form of the science fiction short story seems to be growing on the Internet.

Learning to adapt to this free medium takes a bit of training and equipment.  Listening to audio via on-page controls is the easiest way to join in.  Just play a story and kick back.  They are nice company for doing the dishes, or pursuing hobbies like modeling or knitting.  Next up is learning to subscribe to podcasts in iTunes and take the stories with you when you run or walk.  If you like to read on your phone, PDA, notebook computer or ebook reader, find you favorite reading software and learn where the best places that offer that format for free.  I’ve barely touched on the free sites available. 

Like I said, I mostly listening to books because I’ve found so many ways to integrate audio books into my routine.  It’s quite wonderful to be walking down the street while classic novels are whispered into my ear.

Jim