Category: Books

By James Wallace Harris, Tuesday, July 12, 2016

Why are people still reading science fiction from the 1950s? I’m always leery to read science books more than a few years old, but crave science fiction written before NASA was created. I’m not alone in preferring moldy, aged SF, but I have no idea how many other fans are like me. I belong to an online book club, Classic Science Fiction, and many of the members prefer 1950s-1970s science fiction. But then, most of us collect social security too, so it might be nostalgia. There are a few younger members, and I’ve wondered how they got hooked on reading SF meant for their parents and grandparents. I’ve been updating “The Defining Science Fiction of the 1950s” with links to Amazon. Most of the books listed are still in print, although many are only available for the Kindle, or from Audible.com.

Are these books bought by old folks remembering, or new folks discovering?

Defining My Task

I know this essay will interest damn few people. I’m going to put a lot of time and effort into writing it, and few will read it. My hope is it will be a honeypot that will attract those folks who also love reading 1950s science fiction, so please leave a comment. My theory is science fiction from this era has distinctive qualities and appeals. My goal is to begin to define those attributes and attractions. I say begin, but I’ve tried this before. Like psychoanalysis, you can’t discover all self-knowledge in one session. I don’t know why I can’t let this past go. And I don’t know how much debugging it will take before my brain will be free.

New is Better

Personally, I believe the best science fiction books written in the last twenty-five years are better crafted than the best science fiction written in the 1950s. Now I’m talking about writing, storytelling, characterization, plotting, and all the mechanics of creating a book. With every decade I believe the skills of writers are evolving. I also believe the imagination and science that goes into science fiction has constantly progressed over the decades. So, why bother reading old science fiction at all? Few science fiction readers read science fiction from the 1920s and 1930s. It’s just too primitive. Most have stopped reading science fiction from the 1940s and 1950s. The 1960s seems to be the oldest science fiction that many modern readers discover, with books like Slaughterhouse Five, Dune, A Wrinkle in Time, Stranger in a Strange Land, The Left Hand of Darkness and The Man in the High Castle.

Time is hard on science fiction. It doesn’t age well. Reading science fiction is the most exciting when you’re under twenty-one. And since every generation has its own hope for the future, the science fiction they embrace is what’s new and exciting. By its very nature, science fiction tends to invalidate its past. Except…

Nostalgia for the Golden Age

If you remain a science fiction fan long enough you come back around to where you began. Most readers go through a science fiction reading phase, and eventually move on to other genres. Most people just dabble with science fiction. The kind of reader I’m trying to identify is different. Science fiction was their childhood religion, born again into faith in the future, like the theological have a faith in the past. Sometimes I feel my obsession with comprehending old science fiction is a kind of exorcism. I’m trying to deprogram myself. Other times I assume it’s just a dynamic of getting older, and I’m merely seeking comfort reads.

I worry as I get older, I’m being sucked into a black hole of nostalgia. I fight this by reading as many nonfiction books and novels published in the current year as I can, but all too often I discover myself returning to books from the 1950s and 1960s. Lately, I’ve been watching old episodes of Gunsmoke and Perry Mason, preferring the ones that came out in the 1950s. I even bought the first season of Gunsmoke from 1955. And I started listening to Gunsmoke’s radio show that came out in 1950. I don’t think that’s typical for folks of my age, since all my friends love new television shows, movies and books. I wonder if I have some kind of time disease that makes me want to travel to the past.

When I was growing up, the Golden Age of Science Fiction was considered 1938-1946,  mostly due to the editorship of Astounding Science Fiction by John W. Campbell. Certainly many of the classic science fiction short stories I read in the early 1960s were reprints from that era. Then Peter Graham said, “The Golden Age of science fiction is 12.” That felt so right that no other age has ever usurped it. The science fiction that imprinted on me at age 12 is the atomic clock by which I’ve measured all science fiction since.

My favorite SF novel in 2015 was Aurora by Kim Stanley Robinson. I admire it for great intellectual speculation. But, it’s no match emotionally for my favorite generation ship story, Orphans of the Sky by Robert A. Heinlein. Orphans first appeared in book form in 1963, reprinting two novellas from 1941, “Universe” and “Common Sense” that were originally published in Astounding Science Fiction.  I turned 12 in 1963. Aurora is a much more ambitious and sophisticated novel than Orphans in the Sky. Aurora had more to say about science and science fiction, but it’s the Heinlein story that resonates with my heart.

All my favorite Heinlein, Asimov and Clarke books were published in the 1950s. I came of age in the 1960s, and my favorite science fiction writers from that decade are Delany, Dick and Zelazny. All their books are dated. They weren’t always enlightened when it comes to political correctness by today’s standards. And they were all men. Two were gay, but I didn’t know that at the time.

The real question is: Are these old science fiction books still readable, still lovable, by later generations who have no nostalgic ties to the past? Who still reads 1950s science fiction?

When Old Becomes Classic

I recently wrote “The Classics of Science Fiction in 12 Lists” over at Worlds Without End. It’s fascinating to see which science fiction books from the 1950s are still being remembered. Because some of these lists were from polls, I assume many of the voters were young. Studying the lists though, show more titles from the 1960s than any other decade. Does that mean 1950s science fiction is finally fading away? Some of the 1950s SF titles are books now taught in school like The Martian Chronicles and Fahrenheit 451 by Ray Bradbury. Of the thirteen lists, here are the 1950s books that were at the top of those lists. I note how many lists each were on.

• Fahrenheit 451 (1953) by Ray Bradbury (7)
• The Foundation Trilogy (1951-53) by Isaac Asimov (6)
• I, Robot (1950) by Isaac Asimov (2)
• Atlas Shrugged (1957) by Ayn Rand (2)
• A Canticle for Leibowitz (1959) by Walter M. Miller, Jr. (1)
• Childhood’s End (1953) by Arthur C. Clarke (1)
• The Demolished Man (1953) by Alfred Bester  (1)
• More Than Human (1953) by Theodore Sturgeon (1)

Literary Recognition

Most of the 1950s science books that are available today are from a few publishers that specialize in reprinting old science fiction. Not always. I was surprised to see The Chrysalids by John Wyndham in print from New York Review Books Classics. Does that mean the literary elite are finally accepting the genre hoi polloi? They also publish Chocky, a 1968 book also by Wyndham. What really blew my mind, was NYRBC has a collection of Robert Sheckley stories, Store of the Worlds. And just when I thought I couldn’t be anymore amazed, I saw they have reprinted The Continuous Katherine Mortenhoe (1973) by D. G. Compton. This is about as shocking as when Library of America began reprinting Philip K. Dick. But, we’re getting away from the 1950s. On the other hand, it suggests that some science fiction is being remembered by people other than old farts who grew up reading science fiction.

I should note that The Foundation Trilogy has been reprinted by the Everyman’s Library, which is a nice distinction too.

Remembering Old Books at the Movies

Of course, the main way modern people remember old books are when they are made into movies. Childhood’s End (1953) by Arthur C. Clarke, was recently shown as a SyFy miniseries. The Ray Bradbury books mentioned above have movie and television versions. The Day of the Triffids (1951), again by Wyndham, has had many visual interpretations. Heinlein’s Starship Troopers (1959), The Puppet Masters (1951) and “All You Zombies…” (1959) have film versions to remind young people to read his books. I, Robot (1950) by Isaac Asimov was remembered in film, but only in title. It would be great if someone would film the stories. And I Am Legend (1954) by Richard Matheson and The Body Snatcher (1954) by Jack Finney are remembered for their horror and science fiction. Most of the science fiction we remember from the 1950s actually comes from the classic SF movies of the 1950s.

Collecting Pulp Magazines

Collectors might be a large segment of 1950s science fiction fans. They seek out old science fiction magazines, first editions from specialty presses like Gnome and Fantasy, or first editions of what’s now consider classic science fiction of the the 1950s. Some collectors go after hardbacks with dust jackets or paperbacks with wraps by artists they love.

By the the 1950s, the magazines had switched from pulp format to digest size. So true pulp collectors mine the 1940s and earlier for their collecting habit. Some of those digest magazines are showing up on the internet. A mostly complete run of If Magazine is available at Archive.org, part of its Pulp Magazine Archive. It’s a shame that some authors felt the need to request their stories be pulled. It’s like they have erased themselves from 1950s SF history. I wish the copyright laws made an exception for magazines, so that any periodical older than 25 years could be archive online if the entire issue was scanned as one document. I doubt authors would lose sales. Evidently many people wanted to read the old If Magazines. They have over a quarter-million views. From time to time I meet pulp magazine collectors. Lately they swap digital scans, but in the old days I knew guys who owned thousands of the original magazines, but those artifacts are disintegrating. It’s great pulps and digests are being preserved online, but it’s a shame copyright laws don’t support those efforts. Many of the novels we know from the 1950s first appeared in a 1940 pulp. Another favorite title, Galaxy Magazine, is showing up at the archive. I’m waiting for F&SF and Astounding, the top venues.

What Was Unique?

Ultimately, any novel is about the times in which it was written. Science fiction books from the 1950s were really about the 1950s, and not the future. For those people who didn’t grow up during that decade, what does 1950s science fiction convey about those years? I was born in 1951, so the 1950s were my childhood. My memories of the 1950s were of vast suburbs filled with tiny track houses, hordes of kids playing in the streets, wearing cowboy hats, six-guns, fake coon-skin hats, or space helmets, watching Saturday morning cartoons, or Saturday afternoon Tarzan flicks, hanging around at night observing the grown-ups smoking and drinking, begging for sips, while listening to them argue about divorces and shrinks, or kooky stuff like UFOs, Bridey Murphy and Edgar Cayce, or scary stuff like atomic bombs and fall-out shelters. My 1950s wasn’t Leave It to Beaver 1950s, but we loved watching those television shows that define the 1950s today. Even back then we knew life wasn’t like television, but we wanted it to be.

My life as a kid in the 1950s was a whole lot like Peanuts. The adults lived in their world, and we kids lived in ours. By today’s standards my parents would have been jailed. I walked to school starting in the first grade. When we lived in cities I ranged for blocks on my bike, when we lived in the country, I ranged for miles hiking the woods. I discovered science fiction in the 1950s via black and white television, with tales of space patrols, alien invaders, and monsters. Even though my mother forced me to go to church, I never got Christianity. I believed in rockets and space travel. And that’s probably why I keep returning to 1950s science fiction. It was my religion.

Strangely, the book the reminds me most of my 1950s is Confessions of a Crap Artist by Philip K. Dick. It was written in 1959, but not published until 1975. Most people were Beat back then, not just the Beatniks. Life was simpler, but it had an edge that doesn’t come through in the old TV shows. Maybe that’s why I like Gunsmoke today, it showed more of the grit of my childhood. Actually, all of the PKD’s literary novels remind me of the 1950s. But so does his science fiction novels. Those were about nuclear war, paranoia, invasions, and alienation. Americans in the 1950s worried that Russia was going to bomb us out of existence, and commies had infiltrated our friends and associations. The pod people of The Invasion of the Body Snatchers were a perfect stand-in for fear of communism. Ditto for Heinlein’s The Puppet Masters. And those writers combined fear of communism with the UFO craze. Few today remember the wackiness of UFOs.

1950s science fiction spent a great many words imagining the collapse of civilization. But it also imagined colonizing the solar system, and even other solar systems. 1950 began with children’s shows about space patrols, that many adults got hooked on. Long before 1966’s Star Trek we had 1956’s Forbidden Planet. 1950s science fiction often pictured a space patrol as another branch of the American military services. 1950s imagined World Governments, United Planets, and Federations of Star Systems. You have to wonder what happened to America when in 1977, the galaxy became an evil empire.

Another common theme in 1950s science fiction was psychic powers. Science fiction writers believed supermen and superwomen would evolve any day. Childhood’s End in 1953 imagined our replacements, Homo superior, doing away with Homo sapiens. Clarke recycled that theme in the psychedelic sixties with 2001: A Space Odyssey. Theodore Sturgeon and Zenna Henderson wrote about strange people that you wondered if they were mentally ill, gifted or psychic. And John W. Campbell went overboard at Astounding promoting Psi-powers. I don’t know why so many sci-fi stories in the fifties were goo-goo for the woo-woo, but maybe it was a wish for transcendence. In many ways it prefigured the New Age movement that emerged in the 1970s. But some Americans have been hung-up on psychics since 1848, and the Fox sisters.

That’s the thing about reading 1950s science fiction today, or even other novels from that decade. I came of age in the Psychedelic Sixties, and we thought we were unique. But the more I read from the 1950s, the more I realized everything that was going to happen in the 1960s began staging in the 1950s. Before Hippies there were Beats. Before Timothy Leary and LSD there was Aldous Huxley and The Doors of Perceptions (1954). Even though I didn’t discover Jack Kerouac until the late sixties, he became a substitute father-figure when my dad died in 1970. They were about the same age, and both were drunks dying months apart. I’ve been trying to grasp their 1950s ever since.

A harder thing to explain about 1950s science fiction is the humor. You’ve just got to read Robert Sheckley to understand what I mean. Or Fredric Brown. Or the satire of Vonnegut, Tenn, Pohl and Kornbluth. Or the bizarreness of Philip K. Dick. Both F&SF and Galaxy featured lots of humor and satire. I didn’t start buying these magazines until the mid-sixties, but I grew up devouring their old annual collections I found in libraries. I began unearthing the 1950s in 1962.

So many of the great science fiction stories of the 1950s were about the end of the world, or the collapse of civilization. Some of my all-time favorite novels are about the end of the world as we know it, like Earth Abides (1949) by George R. Stewart, On the Beach (1957) by Nevil Shute, or Alas, Babylon (1959) by Pat Frank.

The 1950s were strange in that people thought civilization was coming to an end and hoped to expand civilization across the galaxy. What a schizoid dichotomy.  And I grasped that as a kid. Maybe that’s the trip that got laid on me that I’m trying to understand. To me, the absolutely best inheritance I received from the 1950s were the Heinlein juveniles I first discovered in 1964, when I was still twelve (the Golden Age of Science Fiction). In fact, all my reading of science fiction feels like it’s been downhill ever since I first read Have Space Suit-Will Travel, Tunnel in the Sky, Time for the Stars, The Rolling Stones, Red Planet, Starman Jones, Farmer in the Sky, Between Planets, Space Cadet, Citizen of the Galaxy, The Star Beast and Rocketship Galileo. There were other young adult SF from the 1950s that I loved; books by Andre Norton, Isaac Asimov, Donald Wolheim, and the whole series from Winston Science Fiction. But the Heinlein twelve were always the pinnacle of SF for me.

All those kid SF books from the 1950s instilled a belief I’d grow up and live in space. That didn’t happen. Maybe its that promise of a future that never came to be that keeps me reading old science fiction. In some ways I feel like a person that’s died and learns there’s no heaven. Do those of us who read old science fiction do so because we’re trying to recapture the promises of the golden age? I’ve long known science fiction was my religion substitute growing up. Even though I became an atheist to SF long ago, it still haunts me. I just can’t deprogram myself. I will never go to Mars or Heaven. Which is funny, Ray Bradbury has a story called, “Mars is Heaven!”

This self-revelation came to me in 1967, when I read “The Star Pit” by Samuel R. Delany, in the February issue of Worlds of Tomorrow. It’s about the barriers we face in life, about understanding our limitations. Delany knew in 1966 he and I were never going into space, and his story is symbolic for all of us who dreamed those 1950s science fiction dreams, but who would never leave in our space ships.

JWH

p.s.  I know this is a bone I can’t stop gnawing. Anyone who has regularly read my blog, knows I’ve covered this territory before. I write these posts as a form of psychoanalysis. I usually come to two realizations. One, I’m disappointed that the future I imagined as a child, is not the future I found as an adult. Two, I was conditioned as a kid to love certain kinds of stories, and I can’t get away from that pleasure. I’m like an addict that says, “I can stop any time I want” but I don’t. Sometimes I rationalize reading old science fiction by telling myself that I’m studying it as an academic subject. But that’s not quite honest either. One thing I keep urging myself,  is to move forward in time. To relive the science fiction of the 1960s, 1970s, 1980s, 1990s, 2000s, etc.