Category: Uncategorized

The Best American Short Stories 2019

by James Wallace Harris, Sunday, February 23, 2019

I’ve been buying The Best American Short Stories for decades but I have never finished reading one from cover-to-cover. I’d always jump around reading whichever story grabbed my attention with its opening lines. For 2019 they finally produced an audiobook edition, and I listened to the whole book. I’m very glad I did because I was introduced to a much more diverse selection of great writing. Going by initial impressions isn’t always wise.

Here’s a listing of the stories with a short comment by me, and a link to either the story itself (rare) or to an analysis by blogger Karen Carlson. She writes the kind of essays about the short stories she reads that I wish I took the time to do. It’s a shame that all of these stories aren’t available online because they all deserve more readers. Some of the sites have limits to free reads. You might try loading the link in a different browser if you’ve reached your limit. Or better yet, just buy The Best American Short Stories 2019. Who knows, maybe you might even be inspired to subscribe to some of these magazines.

  • Nana Kwame Adjei-Brenyah. “The Era” from Guernica  – In the future, they teach kids to be completely honest about their feelings. Fun literary science fiction.
  • Kathleen Alcott. “Natural Light” from Zoetrope: All-Story – Learning about a parent from a photograph. I often speculate about old photographs.
  • Wendell Berry. “The Great Interruption” from Threepenny Review – A story within a story set in the 1930s. Berry’s entry is a stark contrast to most of the other stories because it feels old. Like it was written long ago.
  • Jamel Brinkley. “No More Than a Bubble” from LitMag – Two guys hook up with two mysterious women for one strange night. Very vivid.
  • Deborah Eisenberg. “The Third Tower” from Ploughshares – Another literary story that could have been published in a science fiction magazine. About a Kafkaesque form of therapy.
  • Julia Elliott. “Hellion” from The Georgia Review – My absolute favorite story of the collection, and luckily available to read online. A young southern Tomboy teaches her visiting cousin how not to get to beat up by her rowdy crowd of friends. Imagine Scout in the 21st century.
  • Jeffrey Eugenides. “Bronze” from The New Yorker – Set in the 1970s, a teen who’s trying to find himself by dressing glam gets picked up by an older man. Nice historical contrast to the more modern stories in the collection.
  • Ella Martinsen Gorham. “Protozoa” from New England Review – Another top favorite from this collection that’s also available to read online. Eighth-grade girl wants to appear more sophisticated but gets in over her head. The stories I liked most in this collection were those set nearest to the present by young writers. It’s not that I didn’t admire what the older writers (Berry, Le Guin, Eugenides) were giving us, but their stories often seemed like history, while the younger writers were reporting the news from various sub-cultures.
  • Nicole Krauss. “Seeing Ershadi” from The New Yorker – A dancer pushes her body to the limits to stay in a touring company while becoming more and more philosophical.
  • Ursula K. Le Guin. “Pity and Shame” from Tin House – I’m totally used to Le Guin’s science fiction and fantasy, so it was disconcerting to read what essentially feels like a western. An abandoned woman takes in a mine inspector crushed by a tunnel collapse and nurses him back to health.
  • Manuel Munõz. “Anyone Can Do It” from ZYZZYVA – A compelling tale of migrant workers, where a woman must try something new to survive. Another vivid story.
  • Sigrid Nunez. “The Plan” from Lit Mag – A disturbing story about a man driven to commit murder because it’s on his bucket list.
  • Maria Reva. “Letter of Apology” from Granta – One of the strangest stories in the collection about a communist party official who must get a letter of apology from a poet who made a politically incorrect joke. You end up feeling sorry for the oppressor.
  • Karen Russell. “Black Corfu” from Zoetrope: All-Story – Now this is the strangest story of the collection – a horror story no less – about a doctor to the dead. Russell must be a fan of Edgar Allan Poe and George Romero.
  • Saïd Sayrafiezadeh “Audition” from The New Yorker – Son of the boss secretly works construction and practices his acting skills by pretending to be one of the regular dead-end guys.
  • Alexis Schaitkin “Natural Disasters” from Ecotone – Another top favorite about a young wife from New York getting a part-time job Oklahoma when her husband had to relocate. The job she finds is writing home descriptions for a real estate agent, requiring her to visit all kinds of people and their houses.
  • Jim Shepard. “Our Day of Grace” from Zoetrope: All-Story – An epistolary tale about the civil war. Good story but felt out of place in this collection. Of course, that’s not fair to writers who like to write historical fiction. See the comment below.
  • Mona Simpson. “Wrong Object” from Harper’s – A psychiatrist has a pedophile for a patient.
  • Jenn Alandy Trahan. “They Told Us Not to Say This” from Harper’s – Another favorite story because it’s about young Filipino girls who admire a white basketball player. Even though the story is set in the 1990s, it still feels contemporary to an old reader like me.
  • Weike Wang. “Omakase” from The New Yorker – Another vivid story of cross-culture dating. Read the interview with the author about this story.

I enjoy The Best American Short Stories anthologies most for those stories feel contemporary. I want literary fiction to be realistic portraits of what the authors have experienced. That’s very old-fashion of me and unrealistic. Roman à clef writing is not very fashionable anymore. To me, genre writing is all about creatively making things up, while literary writing is about reporting on thoughts and emotions of real people. Writers can’t always write what they have actually experienced, but they can infuse their stories with observations of themselves and others.

The stories by Berry, Shepard, and Le Guin felt totally made up. They were very creative, but still, they lacked what I’m talking about. What these writers are good at is faking what I’m talking about. The Eugenides story felt in between like he might have remembered something from the 1970s, but he’s such a good writer he could have made it up entirely.

Obviously, the stories with fantastic elements have to be made up. These stories, even though extremely well-written feel like genre stories to me. In recent years we’ve been seeing more genre included in the annual BASS collection. That’s not bad, but just not what I enjoy most in a BASS volume. Even my favorite story “Hellion” by Julia Elliott is probably all made up, but it rings true as if she lived it or saw it. It has such a wonderful collection of colorful details that I want them to have existed. Elliot knows the caliber of a BB gun – what a wonderful realistic detail.

I hope the 2020 edition of BASS is produced on audio again. Another reason I read literary fiction is to get insight into people and cultures that aren’t like me and mine. Hearing the stories read by professional readers makes those stories feel like I’m actually hearing the person talk to me in person. And that makes their stories feel even more authentic.

JWH

The Stories I Want To Remember

by James Wallace Harris, February 20, 2020

I have no idea how many stories I’ve consumed in my lifetime. I’m sure the ones I encountered watching television runs into the tens of thousands. Movies, books, and short stories add unknown thousands more. Then there are the countless stories people have told me — some made up and others reported accurately as best they could. And finally, the combined number of all those sources is dwarfed by my own ability to make shit up inside my head.

We all build a model of reality by matching the data we gather with our senses to fictionalized versions of reality. I don’t know why fiction is so important in our lives, but most of us process hours of make-believe every day. However, like the meals we eat, the craps we take, we forget those stories. Evidently, we need a healthy amount of storytelling in our psychic diet every day to remain sane. Like the atoms our body extracts from food for its nourishment are invisible to our conscious minds, so are the essential elements of fiction that our brain craves for its RDA.

Some people are very good at remembering stories. They can regale others by repeating tales at parties or to spice up their political speeches or sales talks. Some people are good at understanding stories, able to interpret a story for all its intended and hidden meanings. I’m bad at both. When I was young I could see a movie and then bore family and friends with long monologues describing all the details of the show. I haven’t been able to do that for decades. Maybe my hard drive became filled and I lost my ability to transfer my mental notes into my working memory.

For some reason in my late sixties, I’ve been craving the ability to remember stories again. The year before last I started a project to read all the annual anthologies that collected the best science fiction short stories of the year. I started with 1939 and I’m currently reading through three anthologies of stories from 1952.  I’m getting a big-bang kick out of this — but it depresses me that I forget the stories I read so quickly. And it really irks my existentialism that I forget the best stories.

Up to now, I’ve been very faithful to read every story in every volume, even if I didn’t like them. But I’m now having doubts about that dedication. I wonder if wading through two or three so-so stories after experiencing a wonderful story isn’t just erasing the memory of that great story.

What is my real goal for this project? Is it just a mega-marathon of reading? I sat out to study the evolution of the science fiction short story. I wanted to see how concepts emerged and were spread and reused. I wanted to see how certain ideas were repeated in each new generation. However, along the way, I started noticing more and more about how infrequent great stories are produced every year.

Stories worth remembering are rare. But I have this trouble remembering them, and that’s starting to bug my sense of being an old man who is running out of time. I know at my age I’m fighting an uphill battle to remember anything and I wonder if I need to pick the ground to make my last stand.

Some of the stories I’ve read I want to remember in detail. And that urge is getting stronger. I’m even at the point where I’m willing to consume less fiction just to hang onto a tiny amount of it in my mind. I need to binge-watch less, and binge-read less.

I’ve been thinking about changing my reading strategy. Instead of racing through all the annual best-of-the-year volumes to have the satisfaction of completing another year, I think I need to focus on finding the stories I love best and then reread them. Instead of finishing every story, quit any story that doesn’t resonate after giving it a fair try. Then go back and reread all the stories I did finish. And finally, decide which stories are worth remembering before going on to the next year.

However, I’m going to have to go well beyond that effort if I’m really going to put those stories into my long-term memory. I need to start a list of stories I want to work at keeping at my mind’s fingertips. I’m not sure how long that list can be, but I need to start tracking the best stories and periodically reread them. I’m sure I’ll thin out that list too as competition to get on the list grows. I won’t know the manageable size of the list until I’ve worked at the project for a while. And like a tontine, I expect the list to shrink at I close in on dying. Who knows, as I pass from this world into nonexistence I’ll be thinking about that last story. (That’s an odd thing to say, isn’t it. Why wouldn’t my last thoughts be of a real experience? I need to psychoanalyze that.)

When I started this project, my goal was to identify the stories that were most important to the genre of science fiction. Now I realize I need to identify the stories that are most important to me. And I need to branch out beyond science fiction.

In the long run, I want to create an anthology of stories that I want to remember, but also the ones that best explain my view of reality.

JWH

 

 

 

Where Are You On The Handling Complexity Scale?

by James Wallace Harris, Monday, January 6, 2020

I like to think our minds are like the mixing boards you see in recording studios, with dozens of sliders, each for a different cognitive ability. Think of the autism spectrum as one slider, and artistic ability, spatial perception, and mathematics as other sliders. I’m not sure how many mental spectrums exist, but I’ve been thinking about a possible spectrum to consider – handling complexity.

It’s obvious some people handle complexity better than others. People who can’t handle complexity want everything to be black and white. To them, everything is binary – for/against, male/female, good/evil, theism/atheism, rich/poor and so on. These people seem to have made up their minds early in life and will defend their beliefs with great tenacity. It’s easier for them to build an array of defense mechanisms than it is to deal with complexity. Successful people handle complexity and thrive. However, if you can’t handle complexity can you recognize people who can?

Ever since Donald Trump was elected I’ve been trying to understand why people like him. My current theory is neither Trump nor his follows can handle complexity. Trump’s simplex approach to problems resonates with their own simplex relationship with reality, and they find that comforting.

Republicans have taken an ostrich’s head-in-the-sand, ass-in-the-air approach to complexity. Denying complexity is their great survival mechanism. However, to solve the world’s problem involves dealing with complexity. We need leaders who place high on the handling complexity scale.

Trump is low on the scale, seeing reality in terms of black and white. People like voting for candidates like themselves. We need to vote for people who are higher on the handling complexity scale than ourselves. But how do we pick people who have cognitive skills we can’t imagine? How do we pick a person whose solutions might not make sense to us?

One way is to judge how they’ve handled complexity in the past. Trump has zero political, diplomatic, or leadership skills. His businesses have very few employees. He has no handling of complexity skills at all. Millions of people voted for him because he handles complexity in the same way they do – which is at a simple gut-level.

Most people see the world with a binary vision. Most voters see the political spectrum as left and right. That’s incredibly simple-minded. Just seeing the world in a grayscale of 16 adds great complexity, but it’s still extremely low on the complexity scale. Remember when computers only had 16 colors and how bad computer games looked? At the time we thought it an amazing step up from black and white (or black and green) monitors. Then when graphic cards went to 256 colors images started to look somewhat realistic. It wasn’t until graphics cards could handle millions of colors did photographs begin to look realistic. (The above graphic is CGA, EGA, and VGA.)

People have an extremely difficult time juggling 16 variables. We embrace ideas like the Myers-Briggs scale, trying to pigeonhole people into 16 types. The Myers-Briggs scale has its appeal because it vaguely works — but does it really?

Take climate change. Its complexity is immense. Even computer models that track millions of variables can only paint a rough picture of what is happening. Simplex people prefer accepting a blowhard’s opinion on climate change who has no understanding of the complexity of climate change over scientists with supercomputers and billions of dollars worth of scientific measuring devices. Why? Because binary thinkers prefer binary solutions.

We can’t solve complex problems with binary solutions. We need an army of PhDs who have armies of supercomputers working with artificial intelligence to even begin to understand climate change. Why don’t we require such expertise from our politicians? Isn’t our country’s social/economic/political structure nearly as complex as the weather? Why don’t we expect all politicians to have PhDs in political science? Why shouldn’t the highest political jobs require the greatest political experience? Shouldn’t a president at least have the experience being a governor or senator, if not a whole lot more?

How can we possibly expect a person with no experience to succeed at a job that requires the most experience? How can we expect a person who has no ability to handle complexity to succeed in a job that requires the most understanding of complexity?

Only a simplex person would vote for another simplex person.

Think of it this way. Say you’re a betting person and want to win some money on a football game. There are two teams. One team consists of professional football players, and the other team is made up of regular guys who believe they can play football. Who’re you going to put your money on? Or imagine you need brain surgery. Who will you pick? The surgeon with the most experience, or some egotistic guy who thinks anyone can do brain surgery?

JWH

2019 Year in Reading

by James Wallace Harris, Tuesday, December 31, 2019

This is the 12th year I’ve been doing these “Year in Reading” posts. They’re really written for my poor memory because I can’t imagine anyone caring about a list of books I’ve read. It’s a ritual where think about my reading habits and contemplate what I might want to read in the next year. At the end of last year I said, “Other than gorging on short science fiction, I’ll make no promises for 2019.” I think that’s the first time I’ve actually done exactly what I said I was going to do regarding my reading predictions.

This year I won’t list the books I’ve read. I’m being lazy because it takes a lot of work to create that HTML table. I’ve started using Goodreads to track my reading so here’s my 2019 summary for those who care. It’s much more visual anyway since it displays the list by the covers.

The Best Science Fiction 1949 1950 1951 1952

This year I read many anthologies and author collections of science fiction short stories. I’m guessing well over two hundred stories. I also read several books about the history of science fiction. I’ve separated my obsession with science fiction to another blog. I’m starting to wonder if I read too much science fiction, especially older science fiction.

Asimov and others

What’s interesting is when I look over the books I read in 2019 the books that stand out the most weren’t science fiction. I’d have to say my novel of the year was The Overstory by Richard Powers. I was also very impressed with The Handmaid’s Tale by Margaret Atwood.

Picking my favorite nonfiction book is harder, so here’s my three-way tie:

2019 - Favorite Nonfiction Books

Since I don’t feel like spending a lot of words on describing these books I thought I’d link to reviews that do:

I will say that I wish I could remember what’s in these books. It bothers me that I read intensely fascinating nonfiction books and then quickly forget it. I’ve written about this forgetting angst before. My best existential solution is to tell myself that feeling knowledgable about these subjects while I read them is good enough. This is my second reading of the Hugo Award-winning The World Beyond the Hill, and it’s already fading away. I hate that.

Quite often when I reread one of these Year in Reading posts I discover so many titles that I no longer recognize at all. And I’m not even talking Alzheimer’s forgetting, but merely mundane I’m-getting-old forgetting. Part of my problem is I chase too many squirrels. One comforting aspect of focusing on old science fiction this year is the feeling that I’m becoming knowledgable about something. It is a rather useless academic territory to claim, but at least it feels familiar when wandering around in the same small land.

I assume next year I will continue exploring deeper into the history of science fiction. However, I would like to broaden my reading somewhat. At the end of this year, I read A Visit from the Goon Squad by Jennifer Egan because several best-of-the-decade lists praised it. This literary fix-up novel (13 short stories that have connections) was far better written than any science fiction I read and does broaden my reading experience, but I’m not sure I cared. Still, I might try some more contemporary literary fiction in 2020.

I feel in my waning years that I need to specialize in a few subjects because I can’t maintain a coherent sense of a generalist. On the other hand, I am impressed by how many Jeopardy clues trigger lost facts to pop out of my head. There’s a jumble of knowledge in there, I just can’t organize or quickly access it.

More and more I’m impressed by people who can explain things in detail. The ability to quickly recall bits of information and string them together into a verbal narrative is a skill I envy. I’d love to be able to describe what I read in a coherent speech when my friends ask me about what I’ve been reading.

Next year when I read a book I truly admire I hope I will study it, write a concise summary, and then develop that into a little speech. I wonder if the act of preparing a micro-lecture will help me remember more?

A Visit from the Goon Squad by Jennifer Egan

JWH

Best Novels of the Decade Lists Collected

I recently noticed sites making lists of the best novels of the decade, so I decided to see if combining the lists would show which novels were standouts and try to read them. The pictured novels above are the books I have read and loved most from the lists below. I don’t read many mainstream literary novels, just six from these five lists. Maybe I should try to expand my reading mind and try more different books. I imagine a steady diet of science fiction is warping my sense of reality.

These are the five lists:

I only used Paste’s top 20 books to keep the focus tight. It’s worth following these links to read about the various titles.

This first group, are novels on more than one list. A Visit from the Goon Squad made it to 3 of the 5 lists. I guess I really need to read that one. Life After Life was also on three lists, and I have read it. It’s quite impressive. All of these books are ones I’ve seen on many lists over the years, so the consensus of fans makes me think I should give them a try.

These books are in no order. * = read and – = bought but not read

  • A Visit from the Goon Squad (2010) by Jennifer Egan (EW, LitHub, Time)
  • Life After Life (2012) by Kate Atkinson (EW, Paste, Time) *
  • The Flamethrowers (2012) by Rachel Kushner (EW, LitHub)
  • Sing, Unburied, Sing (2017) by Jesmyn Ward (EW, Time, Paste)
  • My Brilliant Friend (2011) by Elena Ferrante (Esquire, Time) –
  • The Sympathizer (2015) by Viet Thanh Nguyen (Esquire, LitHub)
  • The Underground Railroad (2016) by Colson Whitehead (LitHub, Paste)
  • Fates and Furies (2015) by Lauren Groff (EW, Paste)
  • Lincoln in the Bardo (2017) by George Saunders (Esquire, Paste) *
  • Swamplandia! (2011) by Karen Russell (Esquire, Paste)
  • The Fifth Season (2015) by N. K. Jemisin (LitHub, Paste) –
  • Station Eleven (2014) by Emily St. John Mandel (EW, Paste) *
  • Little Fires Everywhere (2017) Celeste Ng (Time, Paste)

These books only made it to one of the five lists. They are probably great books to some people, but I feel less of an urge to try them over the above group. However, I thought The Overstory was fantastic and wondered why it didn’t make it to more lists.

  • Exit West (2017) by Mohsin Hamid (EW)
  • Commonwealth (2016) by Ann Patchett (EW)
  • A Brief History of Seven Killings (2014) by Marlon James (EW)
  • Normal People (2019) by Sally Rooney (EW)
  • Gone Girl (2012) by Gillian Flynn (Time)
  • Americanah (2013) by Chimamanda Ngozi Adichie (Time) –
  • Tenth of December (2013) by George Saunders (Time) –
  • The Sellout (2015) by Paul Beatty (Time)
  • The Nickel Boys (2019) by Colson Whitehead (Time)
  • There There (2018) by Tommy Orange (Esquire)
  • Less (2017) by Andrew Sean Greer (Esquire)
  • The Thousand Autumns of Jacob De Zoet (2010) by David Mitchell (LitHub)
  • Train Dreams (2011) by Denis Johnson (LitHub)
  • The Buddha in the Attic (2011) by Julie Otsuka (LitHub)
  • The Tiger’s Wife (2011) by Téa Obreht (LitHub)
  • Salvage the Bones (2011) by Jesmyn Ward (LitHub)
  • All My Puny Sorrows (2014) by Miriam Toews (LitHub)
  • Dept. of Speculation (2014) by Jenny Offill (LitHub)
  • The Sellout (2015) by Paul Beatty (LitHub)
  • A Little Life (2015) by Hanya Yanagihara (LitHub)
  • Outline (2015) by Rachel Cusk (LitHub)
  • Imagine Me Gone (2016) by Adam Haslett (LitHub)
  • The Overstory (2018) by Richard Powers (LitHub) *
  • In the Distance (2018) by Hernan Diaz (LitHub)
  • Trust Exercise (2019) by Susan Choi (LitHub)
  • Milkman (2019) by Anna Burns (LitHub)
  • Circe (2018) by Madeline Miller (Paste)
  • Homecoming (2016) by Yaa Gyasi (Paste)
  • The Leavers (2017) by Lisa Ko (Paste)
  • The Way of Kings (2010) by Brandon Sanders (Paste)
  • Wolf in White Van (2014) by John Darnielle (Paste)
  • The Water Dancer (2019) by Ta-Nehisis Coates (Paste)
  • The Goldfinch (2013) by Donna Tartt (Paste) *
  • The Night Circus (2011) by Erin Morgenster (Paste)
  • Family Life (2014) by Akhil Sharma (Paste)
  • Swing Time (2016) by Zadie Smith (Paste) *
  • The Wise Man’s Fear (2011) by Patrick Rothfuss (Paste)

If you’ve read any of these books and can recommend them, leave a comment.

JWH