By James Wallace Harris, Thursday, January 7, 2016
All during my work years, while I toiled away at my 8:30-5:00 grind, I endlessly ached to be free. I just wanted time to write. Now that I’m retired, and have all the time in the world, it’s still not enough. I’m writing regularly, devoting hours a day to my task, but I’m not keeping up with all the ideas that beg me to give them birth. Recently I found Big Magic at the library, a lovely new book on creativity by Elizabeth Gilbert. I highly recommend this book to those who struggles to be creative, whether at writing, music, art, dance, acting, or even robot design, while holding down a fulltime job and believing they don’t have enough time. Gilbert provides 276 pages of inspiration and advice that’s backed by the wisdom of her success. I know many people who are prejudiced against Elizabeth Gilbert for that same success, but I’m not one of them. Her advice resonated easily with my experiences.
Gilbert carefully illustrates that we all have enough time to be creative, no matter how busy our life, or how much free time we can find. She goes on to prove it’s the kind of shit sandwich you’re willing to eat that determines creative productivity. Gilbert explains that creativity always comes at a cost. It’s not about finding time, but paying the price. Writing every day is one of the costs. Whatever shit you have to eat to make yourself write is the cost. People give up on their dreams because they won’t suffer the shit that it takes. Her metaphor is crude, but makes a lot of sense if this is your kind of struggle.
I have all the time in the world, and it’s still not enough. What I’ve been learning the hard way, it’s not about time, it’s about work. There will always be an endless list of ideas I can write about. There will always be a limited amount of time. What determines my creative output is effort, not time. Everything Gilbert writes about I’ve been learning since I’ve retired. Time and again as I read this book, her advice clarified what I’ve been learning on my own without conscious clarity.
It really comes down to sticking to a project until it’s finished. It doesn’t matter how important the art, or how ambitious the scope, or whether it will make money or not. All that matters is getting into the zone and working. You work at what you like, and you don’t worry if anyone else will like it, buy it or judge it. Time isn’t an issue. It’s not about what I’ve done, or hope to do, it’s only about the project I’m working on at the moment. And at this moment, I’m reviewing this book.