Exotic Dances: “The Karbardinka” and “Only This Green”

by James Wallace Harris, 8/10/24

YouTube is the TV channel I watch the most of any streaming video platform. I’m constantly finding something new and interesting. Last night I found videos of dances from unknown countries. At first, I thought they were from Russia and China, but that might not be the case.

They each appeal to me for two reasons. First, and most strongly, was the music. And second was the visuals of the dance and costumes. Both seem to be a mixture of old cultural heritages of costumes and musical instruments mixed with modern music and staging.

The first video is labeled “Caucasian Show in the Kremlin | Kabardinka Show • Ancient Princely Dance ‘Kafa’.” It looks Russian, but when I looked up Kabardinka dance on Wikipedia it took me to Circassian dance. It said it comes from Turkey. Wikipedia states, “There are several dances including the kabardinka. The version of this dance performed in Turkey is called Kafkas, from Kafkasya, the Turkish word for the Caucasus Mountain region that was home to the Circassian people before the Circassian genocide. Another similar dance is called the lezginka.”

Evidently, this is an extremely popular dance. Here is another stage of the dance, labeled “Ensemble ‘Kabardinka’ – princely dance ‘Uork kafa’.” This video has a longer description that was more informative than the Wikipedia article.

The video shows a stage version of the ancient Kabardian noble dance "Werk kafe" performed by the state academic dance ansmable "Kabardinka".

At first glance, the dance seems simple. The audience accustomed to representing the Caucasus with Lezginka, most likely, will not even understand what they saw. (It's not surprising).

Huerk kafe is a dance of the Kabardian (Circassian) aristocracy. This class of people was limited by strict protocol and codes, which naturally manifested itself in dance. Aristocrats were forbidden to show emotions, freedom of movement, turn their backs to their partner, touch and much more.

Despite the status, the guys' clothes are ascetic as possible. High origin was distinguished only by rich ammunition, which, in addition to all other elements, included the main one - checker. In the Caucasus, to fight, as well as, by the way, to dance, was a privilege. Therefore, in the appearance of men, checkers has a special place. Another distinctive element was the sleeve. Its length also indicated the status. It was impossible to do dirty household work with such a sleeve, which is very indicative. But this was also a practical application - the long sleeve prevented accidental contact between a guy and a girl.

The women's suit, unlike the men's suit, was full of luxury. In addition to the rich embroidery and the sleeves already mentioned, the status of the girl was demonstrated by the second swing sleeve and a high hat. Representatives of princely surnames additionally wore wooden shoes - Ph'e wake, which elevated them above those present. In the original images, the height of such shoes could reach 20 centimeters, which is still impressive.

Despite the above, the main decoration of the aristocrats was modesty and dignity. This made Circassian dances so beautiful, and the Circassians themselves famous all over the world.

If you can, you should watch these videos on a large screen television with good audio. They are impressive. Once I found the first video, YouTube started showing me others, basically variations of the same dance but with different costumes. Here is a more modern version of the dance.

As usual with YouTube, if it thinks you like one thing, it will show you similar things. This dance is even more spectacular, but harder to research because here’s the title: “文化自信,中国东方演艺集团《只此青绿》演活了千里江山图《2021哔哩哔哩跨年晚会》花絮.” I think of it as the dance of the leaning women.

I used Shazam to look up the music. I found an album on Spotify but not Tidal. But even on Spotify they used the Chinese characters. Like the Karbardinka, there are many variations of this dance on YouTube. Because they often come with a year, I wonder if it’s an annual performance like The Nutcracker.

I Google “文化自信,中国东方演艺集团《只此青绿》演活了千里江山图” but only got responses in the Chinese character set that Google didn’t offer to translate. I clicked on one return and then Google offered to translate. I’ll quote part of it:

At the turning point of inspiration, the romantic encounter between famous paintings and dance art has given "A Thousand Miles of Rivers and Mountains" a new expression that is beyond the world. Since the premiere of "Only This Green" - the dance painting "A Thousand Miles of Rivers and Mountains", the "green fever" has been rising, and many "green fans" have even performed across the city. Not only that, "Only This Green" has also gone from offline to online, from inside the circle to outside the circle, which has aroused extensive and heated discussions. Such a "phenomenal" storm of "national tide aesthetics" did not gradually slow down with the end of the premiere, but drove the development of "green" related peripherals, tourism and cultural and creative products with the trend of "wave".

Well, I guess I’ve gotten green fever. It’s nice to know that the dance is called “Only This Green.” With that title I was able to find a research paper on the dance that explained everything. Ah, the wonders of the internet. The dance is based on the painting “Thousand Miles of Rivers and Mountains” which I used at the top of this post.

The first version was dated 2021. Here’s the 2022 version.

I tried to find performance from earlier and later years, but couldn’t. If you can, leave a link.

There are over two hundred countries, and thousands more if you look back at history, so there should be many more cultural dances for me to discover on YouTube.

JWH

Please Recommend SF Books for a Course on Technology and Culture

A friend of mine has a friend that wants to create a course on the impact of technology on culture as seen through science fiction.  Since she knows I’m a Sci-Fi nut, she asked me for author and book recommendations.  This sounded like a fun challenge until I started thinking about concrete examples.  I wondered if most classic science fiction books and authors from the past still count?  When does science fiction go stale?

windup-girl

Does Neuromancer still work to show off the effect of a wired world?  Or would Little Brother by Cory Doctorow be more relevant now?  What’s a good book about robots?  Everyone immediately thinks of Asimov, but his stories are so quaint now that we have real robots.  Would Robert Sawyer’s Wake, Watch, Wonder Trilogy be a better story about intelligent machines and what they would mean to society?

What would be a good book for genetics and longevity?  I could recommend the movie Gattaca, but what book?  What about Holy Fire by Bruce Sterling?

For the impact of technology to deal with global warming and running out of oil, I’d highly recommend The Windup Girl by Paolo Bacigalupi.

There’s zillions of space travel books but do any of them explore the impact of space travel on world culture?  Quite often science fiction is about a technology without being about its impact on society.  Think of all the stories about SETI.  Contact by Carl Sagan is the most famous, but does it really say much about what it would mean to the people of Earth if we started getting messages from the stars? 

How would our lives on Earth be different if humans colonized Mars?

If you think about it, our current society is far more tech driven than any science fiction book I’ve ever read.  What novel captures us now?  I thought about Ready Player One by Ernest Cline.

And should we list books where technology destroys civilization like The Road by Cormac McCarthy?  Or what about books that want to rebuild technology after our culture collapses like Earth Abides by George R. Stewart, The Long Tomorrow by Leigh Brackett and A Canticle for Leibowitz by Walter M. Miller, Jr.?

Are there any technological utopias portrayed in recent science fiction books?  2312 by Kim Stanley Robinson is very hopeful I’d say.

I’m sure I’m missing the obvious, but I also believe there are many great books written in the last twenty years that are excellent but I haven’t read them.  Tell me about them.

JWH – 12/3/13

A World Without Fiction

Last night I read the riveting essay, “The Interpreter” by John Colapinto from the new 2008 edition of The Best American Science and Nature Writing.  I highly recommend buying the collection, but the link to the article takes you to the New Yorker where you can read it for free.  This fine essay a about tiny tribe in the Amazon jungle, the Pirahã, who have a language and culture that confounds linguists and missionaries, and some scientists even suggests that their mind and grammar predate the structure of modern language.  This tribe lives so totally in the moment that their language is completely literal, showing no long term memory of the past, where even missionaries can’t use Bible stories on them because fiction is invisible to their minds.

Inspired by Sapir’s cultural approach to language, he hypothesized that the tribe embodies a living-in-the-present ethos so powerful that it has affected every aspect of the people’s lives. Committed to an existence in which only observable experience is real, the Pirahã do not think, or speak, in abstractions—and thus do not use color terms, quantifiers, numbers, or myths. Everett pointed to the word xibipío as a clue to how the Pirahã perceive reality solely according to what exists within the boundaries of their direct experience—which Everett defined as anything that they can see and hear, or that someone living has seen and heard. “When someone walks around a bend in the river, the Pirahã say that the person has not simply gone away but xibipío—‘gone out of experience,’ ” Everett said. “They use the same phrase when a candle flame flickers. The light ‘goes in and out of experience.’ ”

I’ve always been fascinated by thinking about what the world would be like without fiction.  I define fiction as anything make believe that occupies our times, such as novels, television shows, movies, plays, comic books, poems, songs, idle fantasies, and so on.  I have a life-long addiction to fiction, and I’ve often wondered what my life would be like without fiction.  And for the purpose of writing here, I’m going to imagine what our world would be like without fiction.  As I was reading “The Interpreter” last night I realized, the story of this tribe illustrated what a world without fiction would be like.

I can’t begin to understand or explain all the linguistic theory in this essay, but from what I can tell, most people on Earth use a language that reflects a universal grammar, and they can use and understand abstraction, including stories.  This tribe does not.  The Pirahã children will make models of airplanes that have landed, but when the plane goes away they quit playing with the models.  The essay profiles Daniel L. Everett who has lived with the tribe off and on for years.  Everett is very careful to point out that these people are not dumb or show any signs of mental retardation.  They are very skilled hunters and gathers, they just don’t “get” make believe.

Everett started out as a missionary, but…

“After twenty years of living like a Pirahã, I’d had it with roughing it,” he said. He threw himself into missionary work, translating the Book of Luke into Pirahã and reading it to tribe members. His zeal soon dissipated, however. Convinced that the Pirahã assigned no spiritual meaning to the Bible, Everett finally admitted that he did not, either. He declared himself an atheist, and spent his time tending house and studying linguistics.

Had living with the tribe converted him to their state of consciousness?  Does this tribe represent humans at a state of development before being able to comprehend religion?  And is religion related to fiction somehow?  He showed some of his jungle friends the new remake of King Kong,

If Fitch’s experiments were inconclusive on the subject of whether Chomsky’s universal grammar applied to the Pirahã, Jackson’s movie left no question about the universality of Hollywood film grammar. As Kong battled raptors and Watts dodged giant insects, the Pirahã offered a running commentary, which Everett translated: “Now he’s going to fall!” “He’s tired!” “She’s running!” “Look. A centipede!” Nor were the Pirahã in any doubt about what was being communicated in the long, lingering looks that passed between gorilla and girl. “She is his spouse,” one Pirahã said. Yet in their reaction to the movie Everett also saw proof of his theory about the tribe. “They’re not generalizing about the character of giant apes,” he pointed out. “They’re reacting to the immediate action on the screen with direct assertions about what they see.”

I’ve often wondered if I went cold turkey on fiction, how my mind and consciousness would change.  Fiction plays with time.  Fiction alters time.  Fiction is a way to step out of our lives, and even out of our thoughts, and transport ourselves into a make-believe abstraction.  When I was watching The Big Bang Theory last night, I stopped thinking about work, the pain in my back and hip, the financial collapse, Obama and McCain, global warming, and all the other abstractions I try to grasp when my mind isn’t occupied with a task at hand.

Except for the direct experience of pain, and creating web pages at work, all those other things are about imaginary abstractions that I don’t see in my day-to-day life.  Who knows, maybe the purpose fiction is not to kill time, but to focus our minds.  The funny nerds of the sitcom are not real, but my high-definition TV made them real enough.

If I wasn’t a fiction addict, I’d have a lot more time.  And that might reflect something about me, maybe I have too much time.  Might we all have too much time and need to fill it with fiction?  If we lived in the jungle and had to hunt and gather all our food, and slept when it got dark, maybe we’d have just the right amount of time.

Even if I stopped pursuing fiction, my mind wouldn’t stop creating it.  Every time I do anything, from writing this essay to going grocery shopping, I imagine what it will be like before I do it.  I create a fictionalize version to map out my real actions.  I don’t think the Pirahã do that.  I’m not even sure they think about food before they see and eat it.  Because of drugs or illness I have had a few moments in my life when language didn’t work.  The very act of dredging up a name for an object made it feel like I had brought the object into being.  During these moments there were no words without objects.  I would not like to live in such a limited reality.

I just finished Clifford Simak’s Hugo award winning novel, Way Station, that came out in 1963.  The novel is merely a succession of words strung together, but it decodes into images in my mind, and it’s chock full of fantastic ideas that my mind loved to entertain.  I think the world is a much richer place because of this novel.  I feel it has added much to my life, even though it’s all make-believe.  But I have to wonder would the real world be far more vivid if my mind wasn’t distracted by fiction?

Do the Pirahã see the world more intently than we do?  I love fiction, but I suppose a heroin addict loves his dope too.  I should try and go a month without fiction and see what happens, but sadly, I know I can’t give up fiction for even a day.  Do linguists take into account the role of fiction in our language and consciousness?

JWH – 10-7-8