Auxiliary Memory

by James Wallace Harris

The Valley of Bones, The Soldier’s Art, and The Military Philosophers are books seven, eight, nine in a twelve-volume series called A Dance to the Music of Time by Anthony Powell. The twelve books are about Nick Jenkins, written between 1951 and 1975, covering Jenkin’s fictional life from 1921 through 1971. The twelve volumes are sometimes published in four volumes named after the seasons. Books 7-9 are called Autumn, or the Third Movement. The series takes its name and theme from a 1640 painting by Nicolas Poussin.

The three books of the third movement cover the war years 1940-1945 and give a rather unique view of England during WWII. Nick Jenkins’ life somewhat resembles Anthony Powell’s life (1905-2000) and some of the characters are based on people he knew. Here is a description of Powell’s military career during WWII from Wikipedia. It is very much like what we read in the three novels. Although we aren’t told Nick won any awards or medals, but then he is a modest character that doesn’t like attention.

Upon the outbreak of the Second World War, Powell, at age 34, joined the British Army as a second lieutenant, making him more than 10 years older than most of his fellow subalterns, not at all well prepared for military life, and lacking in experience. Powell joined the Welch Regiment and was stationed in Northern Ireland at the time of air raids in Belfast. His superiors found uses for his talents, resulting in a series of transfers that brought him to special training courses designed to produce a nucleus of officers to deal with the problems of military government after the Allies had defeated the Axis powers. He eventually secured an assignment with the Intelligence Corps and additional training. His military career continued with a posting to the War Office in Whitehall, where he was attached to the section known as Military Intelligence (Liaison) overseeing relations with, and the basic material needs of, foreign troops in exile, specifically the Czechs, later with the Belgians and Luxembourgers, and later still the French. Later, for a short time, he was posted to the Cabinet Office, to serve on the Secretariat of the Joint Intelligence Committee, securing promotions along the way.

For his service in the Army, he received two General Service medals as well as the 1944 France and Germany Star for escorting a group of Allied military attaches from Normandy to Montgomery's 21st Army Group Tactical HQ in November 1944 three miles from Roermond, Holland then held by the Germans. For representing the interests of foreign armies in exile as a liaison officer he received the following decorations: the Order of the White Lion (Czechoslovakia), Oaken Crown (Luxembourg), Order of Leopold II (Belgium), and Luxembourg War Cross (Croix de Guerre -Luxembourg).[19]

After his demobilization at the end of the war, writing became his sole career.

I find Nick’s story of military training and life on the London home front quite fascinating since the last book I read was about a British bomber squadron and all the books work like a jigsaw puzzle to create one vast image. The most action Nick sees are air raids. In one sequence he describes how several of his friends were killed in a bombing raid, and in another he gives a description of living with V-1 attacks. I was particularly moved by Nick’s observations and contemplations when he attended the VE Day Thanksgiving Service at St. Paul’s Cathedral.

But you don’t read these books for military history. Powell was an observer of people, and so was Nick. Powell’s A Dance to the Music of Time is often compared to Marcel Proust’s seven-novel sequence In Search of Lost Time. However, Proust was very inward looking, and Powell was not. We learn little about Nick Jenkins in these novels because he likes to look outward. He is an observer of people, places, and society.

I love Powell’s books because there are so many characters that come and go. I am delighted whenever one returns. Powell’s characters are like real life people, reminding me of people I know who have come into my life and left, but sometimes I run into them again, or hear stories about them years later. That essentially describes the books in this series. It’s sad that in the third sequence, many of the characters I loved reading about die in the war. I was especially saddened by Charles Stringham story. Peter Templer tale ends too, in The Military Philosophers, but it is offstage and mysterious. and there’s plenty of Kenneth Widmerpool anecdotes. He’s everyone’s favorite, getting his own entry in Wikipedia.

The notable new character that enters in these three books is Pamela Flitton, a femme fatale of the first order. She’s a real piece of work and was based on Barbara Skelton, wife of Cyril Connolly. Skelton also wrote novels and memoirs, so now I must read her. Powell’s vicious portrayal of her makes me wonder if he got sued. Her character continues into the final three novels.

Powell’s reputation is on the decline, which is disappointing. He was friends with Evelyn Waugh, Henry Green, and other British writers of the 20th century, which means my TBR pile is growing. I’ve also discovered several articles about Powell and his friends on Google, but I can’t read those articles until I resubscribe to The New York Review of Books and The New Yorker. That could become a black hole that could capture me forever.

20th century British literature is gently pulling me away from science fiction. Part of that tugging comes from reading A Dance to the Music of Time. Science fiction is known for its world building and the vast fictional landscape created by English writers is becoming far richer and real than the sci-fi alien worlds I’ve lived with for six decades.

For the first six novels, I only rated them four stars in Goodreads, but these last three are five-star novels. I expect if I go back and reread the first six, I will bump up their ratings to five-stars too. And this is a series that I will need to reread. It has over three hundred named characters, and the web of interconnections they make is rich and baroque. It will draw me back in again.

JWH