iPod touch eReader eBook

I just bought an iPod touch 8gb for $199 refurbished at the Apple Store.  I’ve been wanting a carry around Internet device and the iPod touch is very elegant.  It took nothing to set up – just typed in my Wi-Fi code and I was connected.  I immediately upgraded it to the new 2.0 software so I could have the Exchange client.  That also worked smoothly.

And I’ve already gotten my first App, the eReader, which lets me read ebooks on the iPod touch.  The eReader allowed me to log into my Fictionwise.com account and access my Bookshelf there.  That’s the great thing about Fictionwise, it remembers your purchases and will let you download any book again, even in a new format.  I’ve had ebooks I bought from Fictionwise on a eBookwise 1150, Kindle and now the iPod touch.

The eReader on the iPod touch offers crystal clear type, but small, so it’s not as comfortable to read on as the Kindle.  However, after buying the Kindle I discovered I’m not much of a book reader any more, and that I’m really an audio bookworm instead.  It’s extremely easy from within the eReader program to jump to sites like Manybooks.net, to find free or commercial ebooks.  eReader has it’s own URL entry box to take you to places that provides PDB formatted books.

From inspiration to reading, it only took me about a minute to find and download “The House of Mirth” by Edith Wharton.  That’s the next audio book I plan to listen to, so I thought it might be fun to read it while I listen to it.

Even though I’m primarily an audio book person, it will still be nice to have visual books on the iPod touch for times when I’m at loose ends somewhere away from home and want to read, but that brings up the next issue.

Carrying Around the Internet

The advent of smart phones inspired me to want a way to carry around the Internet for 24×7 instant access to information, but I never could stomach the idea of paying their large monthly bills.  I’m currently on a  pay-as-you-go plan with T-Mobile and I add $50 worth of minutes about every 4-5 months.  It’s wonderful not having a cell phone bill.  When small mobile Wi-Fi Internet devices showed up on the market, I thought they were a good compromise – not perfect, but pretty good.  So I started researching.  I finally decided on the iPod touch when I saw it for $199 refurbished.  I like it, but I’ve got to learn how to carry it around.

I currently carry a 2nd generation iPod Nano in my shirt pocket.  The iPod touch might be too heavy to put there.  I carry my cell phone in my left front pants pocket, so the iPod touch could go on the right side, but I worry about it getting damaged, so I’m thinking about a small iPhone holster for my belt, but my pants are already overburdened with keys, wallet, phone, change, handkerchief, and sometimes voice recorder, so that I’m constantly hitching them up.  Carrying around another device is going to be annoying.  An iPhone would have been ideal because one device would replace two.

The obvious solution would be to start carrying a purse, but I think a bandolier would be better, although my wife already thinks seeing my white iPod headphones permanently hanging around my neck is nerdy enough.  I wouldn’t be bothered by any statement my carrying a purse would make, but so far I haven’t seen one I really liked.  I’d want something like a small sleek messenger bag made of leather, but if I’m going to start carrying a purse, why not plan to throw a few more items in, like a camera or a Eee PC, which means I’d want a bigger bag.

Also, I haven’t decided if the iPod touch is the perfect portable Internet device.  I can browse the net fairly easy with it, with some sites a lot more readable than others.  The iPod touch provides a convenient way to read and delete old emails, but it’s primary function would be to look up data, like movie times, weather info, or trivia, and listening to audio books.  I’ve wondered if I jumped up in size to the 7″ Eee PC if it wouldn’t make a substantially better carry around Internet device.

You don’t realize how important a keyboard is as a human-machine interface until you hunt and peck on the iPod touch.  The iPod touch certainly does a lot with it’s 3.5 inch 480 x 320 pixels screen.  I think it will take me weeks to truly explore the potential of this device.  Sooner or later I will want broadband access, because I figure in five years everyone will carry around the Internet.  I just don’t know what the device we will carry will look like.

Part 2:  Further Adventures of eReader on the iPod touch

Jim

After Dark by Haruki Murakami

I seldom read non-English speaking authors, so I have Carl over at Stainless Steel Droppings to thank for pointing me to this vivid little book, After Dark by Haruki MurakamiAfter Dark came out in Japan in 2004 and was published in English in 2007.

I wonder how much the translation to English altered Murakami’s prose?  What we get is stark.  Crisp dialog and vivid details suggests little of Japanese culture.  It’s almost as if world culture has all melded together.  After Dark had more American pop culture in it than Japanese.  Was the cultural specifics converted for American readers, or do people in Japan eat at Denny’s and pick up milk at 7-Elevens?

Murakami plays with narration, telling the reader to pretend to be a movie camera, while weaving in unexplained fantastic elements.  The novel was beautiful to listen to, but it caused so many questions to enter my mind while listening.  Am I learning about citizens of Tokyo from reading this story?  How many of them love American music and old LPs?  Is the percentage about equal to American kids who love Anime, or is American pop music very popular in Japan?  Is crime part of their culture like it is in ours?  Why is the prostitute Chinese?  Is Japan becoming an Asian melting pot?

AfterDark2

Mari, the 19 year-old main character seems no different from young female characters in American novels.  Now these observations are not meant to be critical of Murakami’s writing.  What I’m exploring here is how much we’re all alike.  One hundred years ago, stories from Japan made their people seem exotic and even alien.  This story only confirms the Los Angelization of the world.  Is that good or sad?

The story is full of detail observations, like Mari sitting at Denny’s smoking and drinking coffee, or surreal views of her sister, Eri, sleeping like Snow White.  All the reviews I’ve read are positive and mesmerized by the writing.  I know I was too.  The writing is real and meta-real which pushes me to believe that After Dark has something to say, but I’m never sure what.

The story starts with Mari accidentally meeting with Takahashi, a jazz lover and musician late at night, who just happens to know her model beautiful sister.  Mari has a mild adventure during the seven hours covered by the novel, and gets a glance at the seamy side of life.  It’s not a major story with a gripping plot, but a quiet tale allowing the writer to show off his writing chops.

To be honest, this story left me wanting more.  Like I said at the start, I live in the American pop culture and study English lit, so I don’t get far from my own language.  I read books like Memoirs of a Geisha to travel to places and times I’ll never get to see on my own.  That’s sad, but I try to make do. This book makes me want to know a whole lot more about Tokyo today.  I wished my cable company got the Japanese equivalent TV show like our CBS Sunday Morning or The Today Show.

What is the best way to transmit a snapshot of culture from one part of the world to another, while changing languages at the border?  Do movies do a better job?  Did Priceless give me a good view of life in Paris?  How accurate was The Band’s Visit of Israel?  Or how does Jane’s Austen teach us about England in Pride and Prejudice?

Am I expecting too much by trying to travel via novels and movies?

Jim

Free Science Fiction

It’s a great time to be poor, tight or miserly because there’s lots of free science fiction offerings on the Internet.  Heinlein was wrong about that free lunch deal.  Just subscribing to two web sites, SF Site and SFF Audio via RSS feeds will keep you informed of more good free SF&F reading and listening than you can handle, even if you’re out-of-work or out-of-school.  All you’ve got to do is read the regular posts and these sites will spot the goodies for you. 

Hell, a couple months ago Tor let people sign up to get 12 free ebooks novels from them, in PDF, HTML and unprotected Mobi formats, which is good for the new Amazon Kindle.  I socked them away for a rainy day when I want to try out some new authors, but I especially appreciated getting a copy of Old Man’s War by John Scalzi because I already bought and listened to it on audio.  Audio books are the best way to fully experience a book, in my humble opinion, but audio books are not so good for reference and study.  eBooks are great for snagging a quote.  I wished all paper editions came with ebook editions for reviewing purposes – but I digress from my main topic.

I don’t know why there is so much free reading and listening on the Internet.  I do know there’s a theory that a certain amount of free promotion helps with sales, but currently there’s enough free promotion to exist completely without buying.

Some writers like Cory Doctorow even offer their latest novels for free, such as his new book Little Brother.  Read the intro in the HTML edition to see just how far his generosity extends.  I’m waiting for the audio edition to show up on Audible.com to buy.  I’ve read Cory’s stories in anthologies I’ve bought, but his name has stuck with me because of his free work on the Internet.  Finding his brilliant “Anda’s Game” made me remember his name as a standout writer.  The same thing happened with Charlie Stross, because of free stories on the net, or stories in anthologies, I’ve gone on to buy his books.

A good way to dip your toe in the free story waters is to read BestScienceFictionStories.com where Rusty reviews standout SF short stories, many of which are on the net to read for free and Rusty provides the links.  He even offers a guide to finding free stories, “Nine Secrets For Finding Your Favorite Science Fiction Short Stories Online,” as well as “The 10 Best Web Sites for Free Online Science Fiction Short Stories.”  When I was a kid I had to haunt musty used bookshops all over Miami to find classic SF stories to read.  Now story hunting is as easy as a mouse-click away.

And these stories aren’t submissions from would-be writers, or trunk stories from published writers, but award winning stories, stories that have appeared in best-of-the-year anthologies, and stories that have appeared on lists like The Top 100 Sci-Fi Short Stories.

For the last decade I’ve been doing far more listening to fiction than reading.  At first audio science fiction was rare, but in the last year there has been a boom in SF&F for your ears, including free productions.  At first free audio featured amateur readers no better than the best student you’d hear when we had to take turns reading aloud in class.  The best professional readers today act out audio books in performances I often find better than those I see in Oscar winning movies.  Free audio productions have a long way to go to compete with professional productions, but surprisingly, they are evolving fast!

The granddaddy of SF audio is probably Escape Pod, currently broadcasting it’s 159th episode.  You no longer have to mess with podcast software to listen to the shows, so go sample its stories with the on-page sound controls.  The production quality is now equal or better to many of the commercial stories I buy at Audible.com.  Escape Pod offers a lot of quality for free.  Again, these aren’t just third-tier stories, but stories that have appeared in professional story magazines like F&SF, Asimov’s, Interzone, Realms of Fantasy, Strange Horizons, Jim Baen’s Universe, and other magazines that SF writers love to sell to.

Also, the above linked magazine sites often offer free stories to read from their for-sale magazines, especially during award times when they want to promote their nominated authors.  Just following the links on this page will keep you up-to-date with what’s going in with the genre of science fiction.  You’ll learn who the famous authors are as well as the new and upcoming writers.

Free audio book novels are showing up but most of them are read by amateur readers, something not to my taste, but if you like free and are patient and forgiving, you might find a lot in these offerings.  I expect this category to grow in the future as amateur actors discover audio books are a way to audition their talents and get their names known.  Digital recording equipment is relatively cheap, but producing a ten-twenty hour novel is quite a commitment, but they are appearing.  Keep an eye on SFF Audio.

And if you want to know about classic science fiction, visit Feedbooks, where you can get ebook novels for free.  Their Science Fiction page offer books from Mary Shelley’s Frankenstein to George Orwell’s 1984 to Cory Doctorow’s Little Brother, the new book mentioned above.  And all the books are nicely formatted for a wide range of electronic reading devices.  Teachers and professors could offer a class on science fiction and their students could get all their textbooks for free on this site.

I don’t understand how all this generosity works.  It’s a hippie dream – a commie’s philosophy come true.  Feedbooks doesn’t even have ads on their page.  It’s a mystery, like WordPress, how do they make their money?  There are even radio magazine shows like StarShipSofa.com, that appear to be the work of energetic individuals unmotivated by capitalism.  It’s like the old days of fanzines, creating a new generation of online fandom, fashioning an audio genzine.

Like I said, it doesn’t take much to join this community, just add the RSS feeds from SF Signal and SFF Audio.  Having online access allows web surfers to join a never ending science fiction convention, again for free, without having to buy a membership or pay for hotels, cabs and airline tickets.  If you follow SFF Audio, links to panels and con speeches often show up too.  And again, it’s all for free.

This makes me wonder about the financial health of the little audio book publishers and small press publishers.  Is all this free competition hurting them?  SF Signal and SFF Audio also link to these commercial sites, so if you want to see them succeed, patronize their online stores too.  The commercial SF&F magazines have been losing paid readership for years – is the Internet partially at fault – either through free offerings, or just a diversion from old fashion pastimes?  It’s all too hard to know, but we do know there were a lot more short story magazines on sale at newsstands before the advent of television, again a system that offered content for free, usually paid for by ads.

The science fiction short story may go the way of poetry – moving out of the realm of commercial sales to exist and be supported by love of the art form and its fans.  I hate to see that, but I sure do love the fact that the art form of the science fiction short story seems to be growing on the Internet.

Learning to adapt to this free medium takes a bit of training and equipment.  Listening to audio via on-page controls is the easiest way to join in.  Just play a story and kick back.  They are nice company for doing the dishes, or pursuing hobbies like modeling or knitting.  Next up is learning to subscribe to podcasts in iTunes and take the stories with you when you run or walk.  If you like to read on your phone, PDA, notebook computer or ebook reader, find you favorite reading software and learn where the best places that offer that format for free.  I’ve barely touched on the free sites available. 

Like I said, I mostly listening to books because I’ve found so many ways to integrate audio books into my routine.  It’s quite wonderful to be walking down the street while classic novels are whispered into my ear.

Jim

Hugo Winners on Audible

Years ago when I first started listening to audio books I felt there wasn’t much available in the way of great science fiction. Recorded Books did have a lot of good Sci-Fi titles, but they weren’t easy to get. This week I noticed many of those Recorded Books titles have come to Audible, and many other award winning science fiction books are now available. I decided to see just how many Hugo winning novels could be bought at Audible.com and I was surprised to find quite a few.

The Hugo winning novel I’d like to hear the most on audio is Hyperion by Dan Simmons.  But if you’re an audio book publisher there’s plenty of good titles to produce.

I also checked these other sites to see if I could fill in any gaps – but with limited luck.

  • BA – Blackstone Audio
  • BOT – Books on Tape
  • RB – Recorded Books
  • AB – AudioBookstandDL
  • Year Title Audible Other
    2009 The Graveyard Book
    by Neil Gaiman
    Yes
    2008 The Yiddish Policemen’s Union
    by Michael Chabon
    Yes
    2007 Rainbows End by Vernor Vinge Yes  
    2006 Spin by Robert Charles Wilson Yes  
    2005 Jonathan Strange & Mr Norrell by Susanna Clarke Yes  
    2004 Paladin of Souls by Lois McMaster Bujold Yes  
    2003 Hominids by Robert J. Sawyer Yes  
    2002 American Gods by Neil Gaiman Yes  
    2001 Harry Potter and the Goblet of Fire by J.K. Rowling   Yes
    2000 A Deepness in the Sky by Vernor Vinge Yes  
    1999 To Say Nothing of the Dog by Connie Willis Yes  
    1998 Forever Peace by Joe Haldeman Yes  
    1997 Blue Mars by Kim Stanley Robinson Yes  
    1996 The Diamond Age by Neal Stephenson Yes  
    1995 Mirror Dance by Lois McMaster Bujold Yes  
    1994 Green Mars by Kim Stanley Robinson Yes  
    1993 A Fire Upon the Deep by Vernor Vinge
    Doomsday Book by Connie Willis
    Yes/
    Yes
     
    1992 Barrayar by Lois McMaster Bujold Yes  
    1991 The Vor Game by Lois McMaster Bujold Yes  
    1990 Hyperion by Dan Simmons Yes  
    1989 Cyteen by C. J. Cherryh    
    1988 The Uplift War by David Brin Yes  
    1987 Speaker for the Dead by Orson Scott Card Yes  
    1986 Ender’s Game by Orson Scott Card Yes  
    1985 Neuromancer by William Gibson   BOT
    1984 Startide Rising by David Brin Yes  
    1983 Foundation’s Edge by Isaac Asimov    
    1982 Downbelow Station by C. J. Cherryh    
    1981 The Snow Queen by Joan D. Vinge    
    1980 The Fountains of Paradise by Arthur C. Clarke Yes  
    1979 Dreamsnake by Vonda McIntyre Yes BA
    1978 Gateway by Frederik Pohl Yes  
    1977 Where Late the Sweet Birds Sang by Kate Wilhelm Yes  
    1976 The Forever War by Joe Haldeman Yes  
    1975 The Dispossessed by Ursula K. Le Guin    
    1974 Rendezvous with Rama by Arthur C. Clarke Yes  
    1973 The Gods Themselves by Isaac Asimov    
    1972 To Your Scattered Bodies Go by Philip José Farmer Yes  
    1971 Ringworld by Larry Niven Yes  
    1970 The Left Hand of Darkness by Ursula K. Le Guin    
    1969 Stand on Zanzibar by John Brunner    
    1968 Lord of Light by Roger Zelazny Yes  
    1967 The Moon Is a Harsh Mistress by Robert A. Heinlein Yes  
    1966 Dune by Frank Herbert
    This Immortal by Roger Zelazny
    Yes/Yes  
    1965 The Wanderer by Fritz Leiber Yes  
    1964 Way Station by Clifford D. Simak Yes  
    1963 The Man in the High Castle by Philip K. Dick Yes  
    1962 Stranger in a Strange Land by Robert A. Heinlein Yes  
    1961 A Canticle for Leibowitz by Walter M. Miller    
    1960 Starship Troopers by Robert A. Heinlein Yes  
    1959 A Case of Conscience by James Blish Yes  
    1958 The Big Time by Fritz Leiber Yes  
    1957 Double Star by Robert A. Heinlein Yes  
    1956 They’d Rather Be Right by Mark Clifton and Frank Riley    
    1954 The Demolished Man by Alfred Bester    

The Problems with DRM Free Audio Books

[Update 12/26/9:  Newer MP3 players have come a long way since I wrote this post below.  Many now support resume and/or bookmarks on plain MP3 files, making them excellent choices for playing audiobooks.]

DRM (digital rights management also called copy protection) has been a big topic among music fans for years.  It’s the software that tries to keep users from illegally copying songs from iTunes, Rhapsody, Napster and other download services.  The same technology is used  for audio books that come from download sites like Audible.com, iTunes and AudioBookStandDL.com and library services like Overdrive and NetLibrary.  Audio books that come on regular CDs can be ripped just like music CDs to make MP3 files.  MP3 files are the lowest common denominator of sound files and do not have DRM attached to them.  In some cases like library checkout software OverDrive and NetLibrary, DRM can not be removed for obvious reasons. 

In the past year the big music publishers have moved away from using copy protection, allowing music buyers to have their music unencumbered by DRM.  Now audio book publishers are starting to free downloadable audio books from the same chains.  This gives users easy-to-manage MP3 files to own – but at a cost.  MP3 files are not the best format to listen to digital audio books – unless the player is programmed with features for the audio book listener.

All things being equal people will want DRM free files but until all the producers of MP3 players get onboard with making their players audio book friendly you might find such files an aggravation to use.  The key is to find the right player.  Most iPods work well as audio books, but there is a vast array of other players competing with Apple that are cheaper and potentially better products.  If you buy a Creative Labs, Sandisk, iRiver, Samsung, Cowon, etc., player you need to make sure it will work with MP3 audio books.

Right now audio books purchased from Audible.com, iTunes, and sites using the OverDrive technology come with DRM encased files, but they are also customized to handle certain features you need to enjoy playing audio books.

Resume and Bookmarks

MP3 audio books are different from music even though they are stored in the same file format.  Audio books can run many hours in length and users want to remember their place whenever they stop listening.  The MP3 file format has no built-in feature to do that.  Files from Audible.com are stored in a format that works with specific digital players that automatically remember the user’s stopping place, plus they are designed to also remember bookmarks with some players.  Those features need to be required of all MP3 audio book players.

Many MP3 players have been designed with a resume feature – that is, the player will start up on the file you left off playing last.  But if you are listening to a book, switch to listening to music, and return to the book you will have lost your place.  Some MP3 players have a bookmarking feature.  This is usually a menu choice that sets a return-to-point in the file to help you find your way back.  It’s not the same as resume.  Audible.com files have multiple-resumes and with some players bookmarks. 

Users of iPods can set their MP3 files up in iTunes so they will have multiple-resumes which makes that player among the best for audio book listening.  However, iPods are expensive and it would be easier on the user if multiple-resume was built into the player itself.

Multiple-resume feature means if you have five audio books and you switch between them the player remembers wherever you left off in each book.  This is the gold standard for audio book listeners.  Single resume is the feature that allows you to pick up where you left off on the last file played.  This is the minimum feature needed to play audio books without a great deal of aggravation.  Imagine trying to find your place every time you return to your book when it’s twenty hours long and has no pages numbers.

A bookmarking feature is a system that allows users to manually tag one or more places in a single audio book, and its a big plus, especially if you want to study or review a book and want return to specific passages.  It also allows the user to remember her place if the player does not have resume.

Plain MP3 files have no notion of resume or bookmarks – they are an add-on features to the player you buy, so it’s important to buy the right player.  If audio book publishers standardize on the MP3 file format without DRM, then digital audio player manufacturers need to catch up.  Apple does the job in software, and users must make the settings in iTunes before they copy their files to their iPods.  Other players handles things differently.

There are car CD players that will remember the user’s place when they turn off their car.  Such hardware resume control should be added to all portable MP3 players.  In fact, the hardware should support resume on every file and not the last played.  And if the manufacturer really wants to endear themselves with audio bookworms they should build in bookmarking.  Some players do this but it’s hard to find out if a particular model has these features because new models don’t always follow the standards of previous models.  Below is a couple recent links that can help.

File Size and Number

I’ve seen audio books as long as 80 hours.  A typical 15 hour book can be one 300 megabyte MP3 file or ten 30 megabyte files or even 200 small files, depending on how the seller breaks them up.  Audible.com tends to break books up in 7-8 hour chunks.  eMusic.com sells their MP3 audio books in a collection of many small files.  They do that because they know people do not always have resume or bookmarks and expect people to remember what track they left off on.  That also encourages people to finish a track before stopping.  This is a very poor way to listen to audio books.

If you rip a CD audio book or buy an audio book from eMusic the best thing to do is merge the tracks into fewer larger files.  This makes managing your book much easier.  If all players had multiple-resume I doubt booksellers would market audio books with 200 tracks.  When I rip a CD book of 15 CDs I make it into 15 tracks, rather than 150-200.  But I’d rather have the book in 2 parts like Audible.com and iTunes sell.

I use CDex to rip CDs with multiple tracks into a single file, but iTunes can do it too.  MP3Merge is the utility I use to merge MP3 files into bigger files when I buy a book that comes with lots of parts.  This is also useful to merge podcasts – because many sites like to make their longer downloads as a series of files.  With MP3Merge you can put them back together into one file, which is easier to manage in your library.

One reason why publishers want to give up DRM on audio books is the hassle they face with supporting players.  If they make their audio book plain MP3 files then the hassle of support is up to you, the user.  Selling the books as MP3 files with multiple tracks is marketing the book to work on the widest possible range of players.  Anything that can play a MP3 file can play the book.  That doesn’t mean the book will be easy to use.

It does mean people can go buy cheap $25 MP3 players and start listening to audio books on the go.  The cheapest current players tend to offer 1 gigabyte of space with no display.  The best way to listen to an audio book on such a device is to load it with one large file and expect it to have resume.  Thus it becomes a single-function device – an audio book – you turn it on, listen for awhile, shut it off, turn it back on and start where you left off.  When you’re finished you delete the book and load another.

If you get an audio book from eMusic.com and it comes as 200 files and you’re trying to manage them on a player with no display and you lose your place, you’re going to get very pissed off.  Another reason why publishers are now wanting to abandon DRM is because they want to sell audio books outside of iTunes/Audible because they know that most people have iPods and this would allow more audio book merchants to compete with Apple.

PC versus Mac

The PC-Mac dichotomy spreads over the digital audio player world.  Microsoft promoted its DRM and non-iPod MP3 manufacturers followed behind their lead.  If a publisher supported Microsoft’s DRM then that book wouldn’t play on an iPod because Apple uses a different DRM.  Many people can check out digital audio books from their libraries through the Overdrive or NetLibrary systems.  These systems use the PlayForSure DRM designed by Microsoft.  People with iPods go to their library and are told they can’t participate.  Conversely, people with Creative, Sandisk, iRiver and other players go to iTunes to buy songs and books, and they are told, sorry, but you don’t count.

This is why publishers want to abandon DRM.  They may have to deal with pirates, but they don’t offend their users or handhold them while supporting numerous devices.  This is a good things, except like I’ve been talking about above, plain MP3 files aren’t ready for prime time audio book listening.

Right now I’m sticking with Audible.com and its DRM system.  Audible.com has made deals with many hardware companies, including Apple.  Some players will even work with Audible and OverDrive/NetLibrary.  Because they also play plain MP3 files too, they will work with DRM free files.  Audible.com is also the cheapest way to buy audio books, but Audible.com sells DRM files.

Amazon, now that it has bought Audible.com, may change things because they are in the DRM-free music business.  They may make buying digital audio books a breeze, but without Audible.com’s extra effort to make digital audio books practical, I’m not sure if Amazon will improve things.  If they do end up selling DRM-free audio book downloads, lets hope they promote the best players to use for listening to these books and use their clout to get all DAP (digital audio player) makers to support audio books.

Digital Media Libraries

Ultimately we do not want to mess with ripping CDs or merging files.  We want to just buy a digital audio book and download it.  From there we will have two options.  Some people like having a media library program like iTunes or Windows Media Player to manage all their files and other users like to store their files in folders they control.  MP3 works with either option so that should make most people happy.  Some DAP players only work with a media library to transfer files to the player’s drive, other DAP players work like flash drives and you can just drag and drop books onto them.

I tend to think the majority of people will want a media librarian.  Such library software can track songs, audio books, podcasts, videos, photos, etc.  However, libraries break down when the user gets too many files, but I expect that will be fixed by Apple and Microsoft in the future.  I would like to advocate that a file structure be designed to work across platforms and design them so any media librarian can use that structure without altering it.  That way you can switch librarians as the years progress without screwing up your file folder of songs, books, photos, podcasts and videos.  But this might be too much pie in the sky idealism.  Imagine:

\Library

      \AudioBooks

           \Author1

                 \BookTitle1

                 \BookTitle2

      \eBooks

      \Music

            \Artist1

                 \AlbumTitle1

                 \AlbumTitle2

      \Photos

      \Podcasts

      \Videos

Another reason to desire standard folder structures for media is the emerging wireless media servers.  These devices allow you to play songs, books, videos and photos on your big screen TV in another room, or channel sound to a bedroom stereo system.  Companies like Sonos even make remotes that allow users to select what they want to hear and play it in any part of the house without being at a computer.  Wouldn’t it be great to have a system near the bed and tell your computer to play a book and set it with a sleep timer?  Standardizing on DRM free files and standard folder structures for storing those files help these media servers. 

Right now you buy a media server to match a particular system and DRM, like iTunes or Windows Media, but they try to be as compatible as possible.  My RoKu SoundBridge can get DRM songs from Rhapsody and its folders, and DRM-free iTune songs from the iTunes folder, and songs from my Windows Media folder.  It’s a pain in the ass to try to remember where I put a song though.  Did I get it from iTunes or Rhapsody?  See why I want a standard folder structure?

For now we must campaign and even protest to get DAP makers to delivery on multiple-resume and bookmarking features for us bookworms.  We can work on media servers later.

Jim

Update #1: I’ve heard back from several online friends and there is no consensus as to which player to recommend. The Cowon and Creative Zen Plus were both mentioned. All I can recommend is the iPod with a screen. I don’t recommend the Shuffle for audio books.

Update #2: OverDrive announces it will sell DRM free audio books to consumers. This is huge. Digital audio players (DAPs) and audio books are changing the way people read books. OverDrive’s is advertising their MP3 files will play on virtually any DAP, including the iPod, Zune, Creative Labs and smart phone devices.