by James Wallace Harris, Tuesday, November 17, 2020
Evidently teenage lesbians can go just as girl crazy as other girls go boy crazy. In “Halloween” by Marian Crotty, seventeen-year-old high school senior Julie can’t control her impulses for college girl Erika and gets strategic dating advice from her thrice-married grandmother. “Halloween” is a nice little love story that moves from beginning to end in a linear progression. It does offer a small subplot about Julie’s jealousy for her mother’s growing transfer of affection for her boyfriend as Julie gets old enough to move out, and it digresses a delicious bit about the colorful grandmother, Jan. Maybe a little too much because Jan almost upstages Julie in this story.
Although “Halloween” is told with a decent concentration of embellishing details such as working at Yotopia, everybody else’s love life, bits of academic demands, and a few faint details about Tallahassee, Florida, the story is pretty much about Julie’s obsession with Erika. Sure, love stories dominate fiction, and its mildly interesting to learn about the sex lives of the latest generation, but it’s also a kind of ho-hum mundane love story. Because part of the story was set at Yotopia I couldn’t help compare it to John Updike’s classic teens at work story, “A&P.”
“Halloween” is an engaging story but won’t be memorable. Why is “A&P” still being taught in schools over a half century after it was first published and “Halloween” won’t? Why has “A&P” stuck with me ever since it was assigned to my English class back in the 1960s? How do you describe ineffable qualities?
There are milestones in the life of short stories. Getting written is a kind of conception. Getting published is a kind of birth. Getting selected for a best-of-the-year annual is a kind of graduation. Getting reprinted in retrospective anthologies is a kind of career. Becoming a classic is a form of longevity, even immortality. With every story I read that I like I have to ask if it has what it takes to keep living. And if I don’t think it will, I have to ask what would it take to survive.
“Halloween” needs something. Either more Julie, or more Erika, or more of both. If you compare Julie with Joy in “Godmother Tea” you’ll know what I mean. I wanted a lot more details about Julie’s inner world, and a lot more details about what she sees in Erika. For “Halloween” to survive we readers would have to feel what Julie feels when she can’t stop herself from going to the Halloween party. The story as is made me intellectually understand, but for it to reach the next level I’d have to feel it.
Jake Weber’s review. He found some comic elements that I didn’t. I recently wrote an essay about science fiction stories that could be read straight or as humor depending on your current perspective or mood.
Karen Carlson framed her insights around the three generations of women with relationship problems.
Jake Weber was fascinated by the questionable dating advice Jan gives Julie.