Is Prince Charming A Hero?

During one of my many ongoing arguments with the ladies at work about the never ending battle between the sexes, I was surprised to hear one very astonishing assertion put forth, at least to me, that Prince Charming is a hero that every boy fantasizes about becoming.  Peggy and Heather were ganging up on me to defend their belief that people are not animals and biology is not the overwhelming motivating force I claim it to be.  I keep trying to convince Peggy that many of her basic beliefs are due to biology and not as she adamantly insists, due to what we choose to believe through free will.

I argued that popular myths often reflect underlying sexual motivations, and that our private fantasies reflect biological impulses to reproduce, whether sexual or romantic.  They countered back that Cinderella is a universal fantasy that doesn’t deal with sexuality, but is about pure romance, and it certainly doesn’t grow out of biochemistry.  I shot back that it was only universal to girls.  Both of them, talking at the same time, essentially said my philosophy was warped by crude sexual impulses and that Prince Charming was indeed a universal fantasy hero for boys.

“You’ve gotta be kidding!”  I said, amazed that both of them could think that.  “Boys don’t fantasize about being Prince Charming.”  Okay, that was over-generalizing, but no friend of mine ever revealed such a desire.

“Of course they do,” the ladies insisted loudly.  “Prince Charming is a hero!  All boys dream of saving women is distress.”  They went on to imply that Prince Charming fell into the categories of heroes like those Joseph Campbell described in his famous books.

“First off, Prince Charming is not a hero.  He doesn’t fight anyone.  He faces no dangers.  He’s just a fancy royal dude that all the courtly ladies twitter over.  Heroes are guys who face great perils and beat unbeatable odds – not guys using glass shoes to interview potential wives.”

My lady friends did not like this at all.  They argued that Prince Charming saves Cinderella, and that little boys everywhere loved to fantasize about rescuing girls.  “You two obviously haven’t spent any time inside the brain of the average male adolescent.”  I didn’t say this, but I also thought of suggesting they rent some porn to see how boys cast Cinderella in their dreams.

Just to get a reality check, I asked my friend Mike about this, and he was also amused by the idea of boys idolized Prince Charming.  Then I decided I should ask another woman, and picked Susan, my wife.  She suggested that Prince Charming was the metrosexual of his day, and wasn’t a hero.  Now that a creative response!

This got me to thinking and it occurred to me that if we used the same motifs as Cinderella, boys fantasies, especially if they hadn’t reached puberty and XXX brain theater time, might consider The Princess Bride a more realistic fairy tale for their mental television inspiration.  Westley is a hero because he fights the evil Prince Humperdinck.  The key element here is not Buttercup – the hot chick to be saved, but swords.  Boys love swords and sword fights, and the real issue will be whether they want to emulated Wesley or Inigo Montoya.  Before puberty, the majority of fantasies will be about using metal swords and afterwards their dominant thoughts will focus on their fleshy swords.

Look at the whole light saber thing for a modern variation.  I assume young boys have spent far more time pretending to fight with light sabers than thinking about rescuing Princess Leia.  It not that Princess Leia didn’t inspire fantasies in boys, but out of the trillions of cerebral performances that Carrie Fisher’s image has given, damn few involved rescue.  At most, the rescue is setup for the real action, either before or after.

I can see how women get confused.  They think saving the hot chick is the whole point of the story.  But it’s not – it’s the violence.  Boys love violence, and its the dominant fantasy element before sex drives them crazy.  Heroes are the last man standing, the alpha male, the winner of the game, the king of the hill, the slayer of dragons, the dude you don’t want to mess with.  Women are the prizes, and what they plan for their prizes are not elegant banquet dining and courtly romance, but the same plans Prince Humperdinck had.

I think Prince Charming is the fantasy that women have for how they want us men to act.  And there are lots of savvy men out there who know this and are willing to play the game to get what they want, but that doesn’t mean they fantasize about being Prince Charming.  Acting like George Clooney is only the romantic costume we all wished we had to hide our wolfish selves.

Our fantasies aren’t about rescuing women, they are fantasies about competing for women.  The Iliad wasn’t about rescuing Helen, it was a major war fantasy.  How many lines does Helen get as oppose to the number of lines glorifying battle?

If you want to know about the inner life of young dudes, look at the LCD screen in front of their faces – first person shooters, sports and porn.  As males mature, they add in dreams of ambition.  Men and women just aren’t on the same wavelength when it comes to personally created fantasies, or the mass consumption fantasies they buy.

I know Peggy and Heather will think my opinions are the representation of some male deviant minority but I don’t think so.  To make my case, how many males like to go to chick flicks?  When I go it’s because I get to earn points with a female, I get to see lots of beautiful female images on the screen, and its hilarious how they portray men.

Of course the reality is real women are not like Keira Knightley characters, and us guys don’t get to act like Daniel Craig.  Prince Charming is not going to rescue you gals from humdrum life, and we guys don’t get to whip out .45s to solve minor disagreements.  We all have to be who we are.

And by the way Peggy, the dream of finding Prince Charming is based in biology.  Females are programmed to search out the best male provider they can find, and I can easily believe Prince Charming is a universal male archetype that females want in their dreams, and those dreams have their seeds deep in your cells.  And male fantasies of violence and sex also come from biology.  Just watch nature shows to see how males fight for the right to mate.

It would be very interesting if we didn’t have these biological impulses.  If males and females were totally intellectual creatures who dated because of shared interests how would society be different?  Can you imagine what life and fiction would be like?  Without the biological impulse would we ever sacrifice our time, energy and money to raise the next generation?  Without the biological drive would we even think kids as cute and lovable to have around?  Without the biological imperative would women want to be seeded no matter how charming the prince?

Would women be more independent without the Prince Charming programming planted into their brains?  Would men consider women as equal souls if they didn’t have the XXX Cinderella programming in their brains?

Of course, I think male humans would have remained uncivilized chimps if it hadn’t been for the Prince Charming myth.  Lady frogs only expect Prince Charming frogs to croak the loudest.  Lady humans expect men  to act nice, give up their weapons, stay home, guard the kids, and bring home the antelope – with Prince Charming the tune we all try to harmonize with our croaking behaviors.  Instead of bashing heads like mountain goats we’re expected to earn lots money and buy sparkling diamonds to prove our worth.  It’s weird, but it’s still biology.

I think in the end, the higher brain functions that Peggy wants to defend has to deal with sex on a different level.  Most of our lives aren’t about reproduction.  As adults we spend most of our time not thinking about sex, but it still taints our actions.  Women want men to give up their XXX fantasies about women – well ladies, men hate to be typecast as Prince Charming.  These are both very hard roles to play.  Peggy, for you to be right about people not being animals, both genders have to give up their fantasies.  I don’t think that will happen, but it’s what’s needed.

Jim

Where’s The Jazz

My friend Lee pointed out that Rhapsody.com is weak on jazz, so I decided to test it.  I went to Jazz Review and checked the 11 albums that are marked “New” on the Jazz CD Review Database.  Rhapsody only had 5 of the 11.  However, 3 of the 6 that weren’t on Rhapsody were missing from Amazon.com as well.  How obscure are some jazz CDs?

Albums on Rhapsody

  • Future Day by David Finck
  • Night Town by The Hot Club of Detroit
  • I Had the Craziest Dream by David Berger Octet
  • Bluelisted by JW Jones
  • Do5 by Mahogany Frog

Albums not on Rhapsody

  • Dry Bridge Road by Noah Preminger Group
  • Explorations by David Leonhardt Trio
  • Renewal by various
  • Vicky Christina Barcelona soundtrack
  • Home by Kelley Johnson
  • Incandescence by Bill Stewart

Over at JazzTimes.com I found five reviews listed online from their September issue and Rhapsody had 3 of the 5.

  • Here and Gone by David Sanborn (Rhapsody)
  • Encuentro by Afro-Cuban Jazz Project
  • Stompin’ the Blues by Harry Allen-Joe Cohn Quartet (Rhapsody)
  • I Am I Am by JD Allen Trio (Rhapsody)
  • Tenor Talk by Jerry Bergonzi

That’s 8 out of 16, or .500 batting average for Jazz using this simple test.  Not bad, but not anywhere like the Rhapsody’s success with pop music. 

Lee also asked about world music.  I went to RootsWorld.com and checked their first 10 album reviews, and Rhapsody had 7 out of 10.

Albums on Rhapsody

  • Lonquén by Francesca Ancarola
  • Duo by Bibaia
  • Here to Stay by BR6
  • 3 Nights by Zulya and the Children of the Underground
  • Teknochek Collision by Slavic Soul Party!
  • Alevanta! by Benjamin Escoriza
  • Klezmer at the Cotton Club by Helmut Eisel and Band

Albums not on Rhapsody

  • Essai by Bastien Lucas
  • English Country Garden by Jenny McCormick
  • Orm by Sågskära

This really shows how little I know about jazz and world music.  I had only heard of David Sanborn before.  If also shows I’m not making full use of Rhapsody.com.  I could create quite a musical education regimen if I just made myself try one new album a day from diverse musical sources.

I wonder if there are any bloggers out there who are subscribers to Rhapsody that try to review as many albums as they can.  If I was retired, I think I would be tempted to start an “Album of the Day” site.

Jim 

How Comprehensive is Rhapsody Music

The other day I wrote Music Lovers Nirvana, about the ready availability of online music, and how Rhapsody.com had 5 out of 5 albums reviewed in Entertainment Weekly.  I thought I test that further with the latest issue of Utne Reader (Sept/Oct 2008 ) and a slightly old issue of Rolling Stone (6/12/08).  The Utne Reader reviewed 6 albums and Rhapsody.com had 4, with one album not yet released but since they had the artist’s 7 other albums it’s pretty sure they will get it.  The one hold out even looks promising since they had the artist’s previous album.  For Rolling Stone, Rhapsody.com had 13 out of 13 albums reviewed.  I should go out and buy some obscure music journals to test further, but that’s for the future.

I really have to wonder why all true music fans don’t subscribe to Rhapsody.com.  Many say they don’t want to rent music,  At $12.99 a month, it could be considered a music preview service so you listen to Rhapsody first and then buy your favorites on CD later.

Here are the albums reviewed.  The number in () are the number of albums Rhapsody.com have by the artist.  I also checked Amazon.com to see what it would cost to buy the album.  The first price is for CD/the second for MP3 album if it’s available.  All were available on Rhapsody.com unless noted.

Utne Reader Sept/Oct 2008

  • Soul Sides, v 1 & v 2 Various Artists $13.98
  • Fair Ain’t Fair by Tim Fite (1) $15.98/$8.99 – not on Rhapsody
  • Seasons of Change by Brian Blade (3) $14.99/$9.49
  • Carried to Dust by Calexico (7) $13.99 not yet released
  • The Best of Lydia Mendoza (7) $16.98/$8.99

Rolling Stone 6/12/8

  • Evil Urges by My Morning Jacket (9) $8.99/$8.99
  • Weezer by Weezer (6) $9.99/$5.00
  • Fleet Foxes by Fleet Foxes (1) $10.49/$5.00
  • Seeing Sound by N.E.R.D. (3) $11.99/$9.49
  • Like a Fire by Solomon Burke (24) $14.99/$9.90
  • We Started Nothing by The Ting Tings (1) $6.99/$7.99
  • Perfectly Clear by Jewel (6) $9.99/$8.99
  • Flavor of Entanglement by Alanis Morrisette (9) $9.99/$8.99
  • All I Intended to Be by Emmylou Harris (31) $9.99/$8.99
  • Circus Monkey by Walter Becker (6) $9.99/$8.99
  • The Declaration by Ashanti (8 ) $9.99/$8.99
  • Here We Stand by The Fratellis (2) $12.99
  • Wanderlust by Gavin Rossdale (1) $9.99/$8.99

This is like being a music store owner and getting to play all the albums, or like being a music reviewer and getting all the new albums sent to you.  It’s hard to believe it’s legal.  It’s hard to believe that music companies would support this, but they do.

The only downside I can see to using Rhapsody.com is when an album goes out of print it gets removed from their server.  So if you love an album and want it for all time then you should buy it.  However, if the album is popular enough to always stay in print you don’t have to worry.

I wonder how much the artists make from their music being on subscription music services?  Anyone know?

Jim

Pandora and Internet Radio

On August 16, 2008, the Washington Post ran the news story, “Giant of Internet Radio Nears Its ‘Last Stand’,” referring to Pandora.com.  Pandora is a standout Internet site that allows users to create custom Internet radio stations based on their favorite songs and artists.  It’s a unique way to discover undiscovered music showcasing technology that gets about a million daily listeners.  The Post quotes Pandora’s founder Tim Westergren, “We’re approaching a pull-the-plug kind of decision.  This is like a last stand for webcasting.”

The problem is one of paying royalties.  Right now there are a number of technologies that broadcast music:  traditional radio, satellite radio, cable TV radio and Internet radio.  Oddly, they each pay different rates to play music, and it looks like the music industry wants Internet radio to pay the most.  If this happens many sites will shut down.  Pandora has yet to make money but anticipated to go into the black in 2009 if the rates were not increased.

There are many articles about the death knell of Internet radio showing up now, with the implication that if the rates these sites have to pay goes up they will close their doors.  I think other things might happen.  Why give up on a new business model so quickly?  Pandora is actually a superior way to listen to random music – it’s superior because it’s less random but still random.

There are two way to listen to music.  You think of a song you want to hear and you play it, or you turn on a broadcasting system to play music for you.  The first method usually involves owning the song, but subscription music is a variation of that.  The second method, random listening, involves finding a source that’s close to your musical mood.  In the old days, a city might have a dozen radio stations and you picked one to play, or if you were in your car, you programmed your five radio buttons and jumped between them.  Satellite music offers more variety by giving you more stations to choose from.  Internet radio ups the variety factor further.

Pandora let’s you pick a seed song and then Pandora plays songs their Music Genome Project software thinks will match your taste.  You can click thumbs up or thumbs down on their picks to help the software zero in on what you like.  It works exceedingly well, but it’s still random music, or broadcast music.

Now I want musicians and music producers to get all the money they can, but I don’t want them to unfairly charge one random music technology more than another, and that appears to be a key issue with Pandora and other Internet radio sites.  Another random site I like is Playa Cofi Jukebox, which allows you to seed your mood by picking a year and it broadcasts random songs that came out in that year.  That’s another triumph of technology in my book.  I want these sites to succeed.

Pandora is thinking of ways to improve its ad revenue and that’s good, but I think they should think of other ways to generate revenue.  I pay for cable TV and a DVR so I see less television ads.  I would be willing to pay a fee to Pandora to not hear ads.  They should run ads, but allow users who want to pay not to listen to them.  Another possibility is to merge with a subscription service like Rhapsody or Napster and be an extra selling point for those companies.  Rhapsody has random radio stations for when I don’t want to pick my songs, but it would be even better if they had the Music Genome Project technology.

I have come to see great value in random music because of shuffle play of my MP3s.  I can even add Music Genome Project like tech to my own MP3 library with MusicIP software.  But Pandora beats my collection of 17,081 songs by light years.  And I can play it on my iPod touch.  I really do not want to see Pandora and other Internet radio stations go out of business.

Another option, rather than increasing royalty rates, could require Pandora to provide links to songs that take users to sites selling the song.  Sites that would also provide a commission to Pandora.  Pandora could offer a variety of online music stores and users could check box their favorite when they register.  Increased sales should offer better revenue than broadcast royalties.

Don’t get me wrong.  I’m not wanting free music.  I believe free is bad.  I want the music industry to make their money and I want Pandora to make money and I’m willing to either listen to ads or pay a subscription to get what I want.  It will be a shame if the industry that collects royalties forces these new sources of random music out of business.  I don’t listen to traditional radio anymore.  I’m not interested in satellite radio.  I have cable TV radio but I don’t use it.  I’m an Internet person.  Why should random music businesses pay more per song for customers like me than the other businesses pay for their customers?

Jim

If you read the Slashdot thread listed below one reader posts the suggestion that Internet radio should just stop using songs that require royalties.  That’s an interesting idea, but I think ultimately it’s a bad idea.  Free is not good.  If this idea succeeded it would kill off a whole industry and destroy legions of jobs.  If the writer’s purpose is to promote new artists and bands, it would be better to use Pandora and help these new musicians gain an economic footing, rather than turn the music industry into all amateurs.  The Music Genome Project would work just as well with unknown artists.

The real virtue of Pandora is when it plays a song for you that you’ve never heard but you love it so much that you buy it.

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Music Lovers Nirvana

I don’t know why all my music loving friends aren’t subscribers to Rhapsody Music.  This morning I picked up the 8/8/8 edition of Entertainment Weekly and read the five reviews of new albums in their Music Review section.  I then logged into Rhapsody and played each of those albums.  Rhapsody had five for five.  I can listen to these albums anytime I want and it’s completely legal and all I pay is $119 a year for the service.  The albums were:

  • Conor Oberst by Conor Oberst
  • Fragile Future by Hawthorne Heights
  • Lessons in Love by Lloyd
  • Harps and Angels by Randy Newman
  • Scars on Broadway by Scars on Broadway

Just to see how good Rhapsody is I grabbed the latest issue, and found six more reviews.  Rhapsody had five of the six – missing out on Ra Ra Riot’s The Rhumb Line, but they had their EP, so that one might show up soon.

If I was paying by the song like most people, I would have already racked up $40 worth of songs this morning.  And these are five albums I never would have bought if I had been flipping through CDs at a record store.  And there have been tons of albums I’ve bought that I’ve liked much less than these albums.  So far I like Hawthorne Heights and Conor Oberst best.  I’m going through these online albums looking for standout songs – songs I will want to come back and listen to again.

That’s one of Rhapsody’s weaknesses – you have access to so much music that it’s overwhelming.  I wished they had some kind of system to help me remember all these new artists.  If they had a little scale that showed up while each song was playing I could rate them:  _Forgettable _Good _Great _Fantastic, it would be easy to track them down later.

Rhapsody is better at providing new music than it is old music.  I just got Rolling Stone: Cover to Cover 1967-2007 on DVD, complete digital editions of the magazines, over a thousand issues.  I started with the first issue looking for albums that I’ve never heard of and never remembered at all.  Rhapsody is not the place to find them.  Back then albums came out on LPs, and most of them never got reprinted as CDs, much less brought forward to the digital age.  However, if an old album is re-mastered on CD and sold today there’s a good chance it will show up on Rhapsody.

I show Rhapsody to my friends, and I write about it every so often, but I know damn few people who use the service.  It’s amazing that such a great deal is ignored.  I know young people prefer to steal their music, but Rhapsody is so cheap I can’t believe more kids don’t want to be legal.

The real drawback of Rhapsody is it doesn’t play on iPods.  And for some reason Steve Jobs doesn’t want Apple to get into the subscription music business.  I don’t put music on my iPod, but I do play music on my iPod touch through the Pandora app.  Pandora is free, but random.  I imagine that if I played Pandora long enough I’d eventually hear everything I can get on Rhapsody.  I can’t believe Pandora isn’t more famous too.  It’s a marvelous invention allowing Internet listeners build their own radio stations by starting each with a seed song and rating subsequent songs selected by Pandora.

Pandora’s Music Genome Project is technology designed to analyze what you like and give you more of it.  I have a jazz station started with “Blue Rondo A Lo Turk” and a Dylanesque station seeded with “Sad Eyed Lady of the Lowlands” and a 60s San Francisco sound station seeded with Quicksilver Messenger Service and a new alternative station started with Broken Social Scene.  Pandora is a FANTASTIC system for discovering new tunes to love.  Right now it’s playing David Bromberg’s live “Mr. Bojangles” on my Bryds station – now that’s a wonderful blast from the past.

And then there’s Deezer.com – free on demand music.  I checked, and the David Bromberg song is there to play for free.  Also, I check and three of the five albums from Entertainment Weekly mentioned above are available to play for free (Fragile Future, Scars on Broadway and Harps and Angels).

How can the music industry offer all this free music?  Why does anyone buy songs?  I don’t know.  Over at Fantasy & Science Fiction, Gordon Van Gelder is asking the same questions about free short stories on the web.  Maybe I’m out of touch because I actually pay for Rhapsody music and buy magazines with short stories.  Will I be buying next year or the year after that?

There is no reason to buy music or short stories any more, not if you don’t want to, because there’s a wealth of great free material on the web.  How is that going to change things?  My wife and I paid $39 each to sit in the cheap seats at an outdoor Crosby, Stills and Nash concert a couple weeks ago.  That’s more money than I ever spent on their LPs.  We saw Jewel at the same place and prices, but that’s the two concerts I’ll go to this year.  Susie also went to Dave Matthews and plans to see a couple more concerts.  Can the music industry survive off of such sporadic support?

This is a great age for music lovers, but what kind of age is it for music creators?

Jim